近代日本的汉字观

发布时间：2018-05-05 12:41

本文选题：近代日本 + 日本文字　；参考：《东北师范大学》2007年硕士论文

【摘要】： 汉字在日本文化中占据着重要地位。在中日文化交流史上,汉字是作为中国文化的一部分传入日本的。公元10世纪,日本人借用汉字的字形与发音,创造出了平假名和片假名,从此开始了汉字和假名共用的历史。“和汉混合”的文字体系的产生过程实质是日本人全面引进、广泛使用汉字,并根据日本固有语言对它消化和再创造的过程。然而,汉字在日本的发展并非一帆风顺。明治维新时期,伴随着欧化思潮的涌入和中国国力的衰弱,日本人对汉字的认识发生了很大变化。在日本社会曾一度掀起废止汉字的风潮,并针对“国字”改革等问题展开了激烈争论。但是,不管各派之间如何论争,汉字依然存在于日本文字之中,甚至使用汉字的数量近年有逐渐增加的趋势。战后,日本施行的一系列汉字政策也证明了这一点。鉴于上述历史事实,我们应该怎样看待日本人的汉字观呢?换言之,汉字对于日本到底意味着什么?到底应不应该保留汉字?在废除汉字风潮的背后到底隐藏着怎样的民族情结?本文尝试从社会文化学的角度,围绕日本的汉字施策及汉字认识等问题,作了初步的分析,试图加深我们对这一问题的理解。本论文由四章构成:第一章主要介绍汉字的传入日本与日本文字的形成;第二、三、四章是本文的重点,主要从明治初期“国字”问题的展开、明治后期到昭和前期的“国语”改良和汉字施策、以及战后文字改革等三个方面来阐述近代日本的汉字观问题。
[Abstract]:Chinese characters play an important role in Japanese culture. In the history of cultural exchange between China and Japan, Chinese characters were introduced into Japan as a part of Chinese culture. In the 10th century AD, the Japanese used the form and pronunciation of Chinese characters to create Hiragana and kakana, and from then on began the history of common Chinese characters and katakana. The process of producing the Chinese character system of "harmony and Chinese" is essentially the process of the Japanese to introduce it in an all-round way, to use Chinese characters widely, and to digest and recreate it according to the Japanese inherent language. However, the development of Chinese characters in Japan has not been smooth sailing. During the Meiji Restoration period, with the influx of Europeanization and the weakness of China's national strength, the Japanese's understanding of Chinese characters changed greatly. In Japanese society, there was a trend to abolish Chinese characters, and a fierce debate was launched on the reform of Chinese characters. However, no matter how controversial the parties, Chinese characters still exist in Japanese characters, and even the number of using Chinese characters has gradually increased in recent years. After the war, Japan implemented a series of Chinese character policy also proved this point. In view of the above historical facts, how should we look at the Japanese view of Chinese characters? In other words, what does Chinese characters mean for Japan? Should Chinese characters be retained or not? What kind of national complex is hidden behind the trend of abolishing Chinese characters? This paper attempts to make a preliminary analysis on the problems of Chinese character strategy and Chinese character cognition in Japan from the perspective of social culturology in order to deepen our understanding of this problem. This thesis is composed of four chapters: the first chapter mainly introduces the introduction of Chinese characters to Japan and the formation of Japanese characters, the second, third, and fourth chapters are the focus of this paper, mainly from the beginning of Meiji "national character" problem. From the later Meiji period to the early stage of Zhaohe, the reform of "Mandarin" and Chinese characters, as well as the postwar reform of Chinese characters, are three aspects to explain the concept of Chinese characters in modern Japan.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：H36

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