新生代导演创作转型中的类型策略探析

发布时间：2018-01-11 12:36

本文关键词：新生代导演创作转型中的类型策略探析　出处：《上海大学》2013年硕士论文　论文类型：学位论文

【摘要】：上世纪90年代，新生代导演游离于体制边缘或处于地下状态，呈现出疏离主流、文化反叛等集体倾向性；新世纪以来，，他们逐渐浮出地表，开始进入电影体制与商业市场。在这样一个曲折的过程中，他们的作品呈现出一系列自觉或不自觉的变化，构成了新生代导演群体的创作转型。在这一转型过程中，类型作为一种策略成为新生代的创作策略之一，而新生代也逐步成为中国当代电影的生力军。在描述新生代转型趋势的基础上，本文着力于把新生代导演的类型策略纳入到其整体的创作转型趋势中。通过分析外部环境即创作权力机制的客观影响与作为电影作者的主体选择，解决第一个核心问题即类型策略缘何成为新生代们的主流道路选择。继而进入文本层面，试图解决第二个核心问题即新生代导演如何通过类型策略在大众文化语境、主流意识形态与商业市场机制中谋求生存与发展的空间。首先描述新生代导演类型策略呈现的文本共性，并依据类型化程度及其与作者关系的差异对其进行内部区分。然后在此基础上以喜剧片、公路片、情爱伦理片、心理悬疑片为重点，深入剖析典型类型模式的建构与呈现。通过具体文本的症候式解读，探讨新生代导演的类型策略包含自身创作转型和对既定类型突破创新的双重轨迹，回应并验证类型作为一种策略如何在寻求意识形态合法性和商业市场竞争力上发挥出积极的作用。
[Abstract]:In -10s, the new generation of directors drifted from the edge of the system or in the underground state, showing alienation from the mainstream, cultural rebellion and other collective tendencies; Since the new century, they have gradually surfaced and entered the film system and commercial market. In such a tortuous process, their works show a series of consciously or unconsciously changes. In the process of this transformation, type, as a kind of strategy, has become one of the creative strategies of the new generation, and the new generation has gradually become the new force of Chinese contemporary film. On the basis of describing the trend of Cenozoic transition. This paper focuses on the new generation of directors type strategy into its overall creative transformation trend, through the analysis of the external environment, that is, the objective impact of the creation power mechanism and the choice of the subject as the film author. The first core problem is why type strategy has become the mainstream choice of the new generation. Then into the text level, trying to solve the second core problem is how the new generation of directors through the type of strategy in the context of popular culture. The main ideology and commercial market mechanism to seek survival and development of space. First of all describes the new generation of directors type strategies presented by the text common. And according to the degree of typology and the difference between the author and its internal distinction. Then on this basis to comedy, road film, love ethics film, psychological suspense film as the focus. Deeply analyze the construction and presentation of the typical type model. Through the syndromes interpretation of the specific text, this paper discusses the new generation directors' type strategy including their own creation transformation and the dual track of breaking through the innovation of the established type. Response and verify how type, as a strategy, plays an active role in seeking ideological legitimacy and commercial market competitiveness.
【学位授予单位】：上海大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J911

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