科幻电影空间造型表现研究

发布时间：2018-01-11 17:36

本文关键词：科幻电影空间造型表现研究　出处：《重庆大学》2014年硕士论文　论文类型：学位论文

【摘要】：科幻电影因其突显电影的奇观性质，在电影诞生之初就深受观众的喜爱，，成为一种重要的类型，并在当代凭借计算机数字媒体技术的魔力，获得可持续发展的想象空间呈现及叙事能力，成为最具有票房号召力的类型电影。本文立足于科幻电影这一电影类型范畴，主要以科幻电影中的空间造型表现为研究对象。本文首先考察了科幻电影作为类型电影的发展历史，发现其空间造型特质是构成该类型片的决定性因素之一，而且科幻电影空间造型的技术演进也可以看成是整个电影技术史的主要线索。本文第二部分，在科幻电影技术史论的基础上，结合对电影空间造型理论的辨析，笔者首次提出了科幻电影中空间造型的类型划分：现实空间造型、非现实空间造型以及其间的交接界面造型。对非现实空间造型，又根据“可见性转化”理论，将其细分为宇观空间造型、微观空间造型、梦境空间造型和赛博空间造型，并结合经典的科幻影片对这些不同种类的空间造型表现进行了细致地分析和印证。在第三部分，本文探讨了科幻电影空间造型表现的美学问题，认为科幻电影特有的空间造型的逼真性要求，恰恰证实了电影的真实美学基础，并分析了科幻电影的空间真实性应该置于两个层面，即知觉层面的真实性和艺术层面的真实性，这对科幻电影空间造型的创作表现具有重要的指导意义。本文通过对科幻电影及其造型表现技术历史演变的辨析，提出了一个开创式的空间造型概念划分，并结合经典的科幻影片进行其空间造型表现手法的探讨、实例分析其运用机制，进而探讨出科幻电影空间造型关于真实性的美学问题，从而对中国科幻电影及其空间造型表现的观念和手法提出合理化意见与建议，为国产科幻电影发展尽一份力量。最后，本文反观了国产科幻电影创作领域的缺失与停滞，分析其具体原因，并对大力发展国产科幻电影提出一些可操作性的建议和意见。
[Abstract]:Science fiction film, because it highlights the fantastic nature of the film, has been loved by the audience at the beginning of its birth, and has become an important type, and in the contemporary era, it relies on the magic of computer digital media technology. To obtain the sustainable development of the imagination space and narrative ability, become the most box-office appeal of the type of film. Based on the category of sci-fi film, this paper mainly focuses on the space modeling of sci-fi films. Firstly, this paper examines the development history of sci-fi films as genre movies. It is one of the decisive factors that make up this kind of film, and the technological evolution of space modeling of sci-fi film can also be regarded as the main clue of the whole history of film technology. The second part of this paper. On the basis of the history of science fiction film technology, combined with the theory of film space modeling, the author puts forward the classification of space modeling in science fiction film for the first time: realistic space modeling. Non-realistic space modeling and the interface between the modeling. For the non-realistic space modeling, according to the "visibility transformation" theory, it is subdivided into the view space modeling, micro space modeling. Dream space modeling and cyberspace modeling, and combined with the classic science fiction film to these different types of space modeling performance has been carefully analyzed and confirmed. In the third part. This paper discusses the aesthetic problems of space modeling in sci-fi films, and holds that the realistic requirements of space modeling in sci-fi films exactly confirm the true aesthetic basis of films. It also analyzes that the spatial authenticity of sci-fi films should be placed on two levels, that is, the authenticity of perceptual level and the authenticity of artistic level, which has important guiding significance for the creation and performance of space modeling of sci-fi films. Based on the historical evolution of sci-fi film and its modeling performance technology, this paper puts forward a pioneering concept division of space modeling, and combines the classical sci-fi film to discuss the expression techniques of its spatial modeling. An example is given to analyze the mechanism of its application, and then to discuss the aesthetic problems about authenticity in space modeling of sci-fi films, and then to put forward reasonable opinions and suggestions on the concepts and techniques of Chinese sci-fi films and their spatial modeling performance. To contribute to the development of domestic science fiction films. Finally, this paper reviews the lack and stagnation in the field of domestic sci-fi film creation, analyzes its specific reasons, and puts forward some operable suggestions and suggestions for vigorously developing domestic sci-fi film.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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