周星驰喜剧电影的悲剧性研究

发布时间：2018-01-13 05:31

本文关键词：周星驰喜剧电影的悲剧性研究　出处：《湘潭大学》2014年硕士论文　论文类型：学位论文

【摘要】：周氏喜剧电影在香港影史中占据了重要地位，其电影中蕴藉的悲剧性是周氏喜剧电影同一般喜剧电影的重要分界。首先，在电影题材方面，周星驰抛弃了传统的宏大叙事，把镜头对准社会底层的草根阶层，以一种独具特色的方式将人们视线和经验之内的生存状态重现在观众面前。其次，在角色塑造方面，，周氏电影的悲剧性人物极富代表性，尤其是在一些社会底层人物身上，这种悲剧性得以深化。最后，在场景渲染方面，独具匠心的空间和场景运用都充斥着悲剧性的痕迹。周氏电影还运用了多种艺术表现手法，在极具模仿性的叙事结构中，将戏仿、声色光影等电影语言经过一种本土经验的转换和过滤，让悲剧性在喜剧中得以多元地展现，极大地丰富了作品的内涵。香港地域文化的塑造和周星驰的个体生存经验的诉求，是周氏喜剧电影中悲剧性的两大成因。香港文化语境的改变，为周星驰的电影提供了一个良好的契机，在大众迫切期待新的喜剧形式产生的心理下，周星驰参与及执导电影的独具一格的电影风格萌芽。时代精神随着时代环境而改变，这也体现在周星驰电影的变化上。当周星驰由单纯表演转为执导电影创作后，对原有喜剧加以继承和完善，逐渐显示其带有悲剧性故事情节的喜剧电影，选择深度回归。周星驰总是乐于从个体经验的角度关照生存，以小人物的奋斗史展开故事叙述几乎成为他的惯例，而小人物的经验在很大程度上涵盖了周星驰的个人体验。他将自身的电影诉求放大到整个“草根”群体，由电影中小人物的理想追求与他们卑微的社会地位构成的矛盾冲突出发，对生存语境进行解构与重建，展现出充满心酸与无奈的喜剧色彩。香港电影在世界电影界有着举足轻重的影响和地位，周星驰的电影无疑能够成为香港电影类型片的代表。周氏电影中的悲剧性在加深影片层次感的同时也建构了周氏喜剧风格，使周星驰电影区别于其他喜剧影片。通过以小人物心态挑战系统建制、以“无厘头”摧毁固有逻辑、以悲剧性重建港式喜剧这三种形式，周星驰喜剧电影完成了对香港主流文化的颠覆与反抗。周星驰电影丰富了内陆电影的形式，为大陆电影开辟了新天地，它不仅反映了中国电影的后现代转型这一历史趋势，也提升了亚洲电影的国际地位。
[Abstract]:Chou's comedy film plays an important role in the history of Hong Kong film. The tragedy contained in his film is an important distinction between Zhou's comedy film and ordinary comedy film. First, in the film subject matter. Zhou Xingchi abandoned the traditional grand narration, focused the lens on the grassroots of the bottom of the society, and recreated the living state of people's sight and experience in a unique way. Secondly. In the role shaping, the tragic characters of Zhou's films are very representative, especially in some of the bottom social characters, this kind of tragedy has been deepened. Finally, in the scene rendering. The original space and scene use are full of tragic traces. Zhou's film also uses a variety of artistic expression techniques, in a highly imitative narrative structure, will be parody. The film language, such as sound, color, light, shadow and so on, is transformed and filtered by a kind of local experience. The shaping of Hong Kong regional culture and the demand of Zhou Xingchi's individual survival experience are the two major causes of tragedy in Zhou's comedy film. The change of Hong Kong cultural context provides a good opportunity for Zhou Xingchi's film. Under the psychology that the public is eager to produce the new comedy form, Stephen Chow's unique film style of participating and directing the film is sprout. The spirit of the times changes with the times environment. This is also reflected in the changes in Zhou Xingchi film. When Zhou Xingchi changed from pure acting to directing film creation, he inherited and perfected the original comedy and gradually showed the comic film with tragic story plot. Choosing depth regression. Stephen Chow is always willing to take care of survival from the perspective of individual experience, and it is almost his routine to start story narration with the struggle history of the little man. To a large extent, the experience of the little man covers Zhou Xingchi's personal experience. He magnifies his film appeal to the whole "grassroots" group. Starting from the contradiction between the ideal pursuit of the little people in the film and their humble social status, the article deconstructs and reconstructs the living context, showing the comedy color full of sorrow and helplessness. Hong Kong film plays an important role in the world film industry. Zhou Xingchi's film can undoubtedly become the representative of Hong Kong film genre. The tragedy in Zhou's film not only deepens the film hierarchy, but also constructs Zhou's comedy style. Make Zhou Xingchi film different from other comedy films. By challenging the system system with the minuscule mentality, destroying the inherent logic with "nonsense", and rebuilding the three forms of Hong Kong comedy with tragedy. Zhou Xingchi's comedy film has subverted and rebelled against the mainstream culture of Hong Kong. Zhou Xingchi film enriched the form of inland film and opened up a new world for the mainland film. It not only reflects the historical trend of post-modern transformation of Chinese films, but also enhances the international status of Asian films.
【学位授予单位】：湘潭大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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