郑晓龙电视剧中的女性形象研究

发布时间：2018-03-05 11:37

本文选题：郑晓龙　切入点：电视剧　出处：《曲阜师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：电视剧作为大众喜闻乐见的一种重要文化传播载体,已经深深植根于广大受众。“国民导演”郑晓龙,从上世纪80年代至今,经他策划、制作的电视剧不仅屡屡获奖,还创造了很多个中国电视剧第一,受到大众的喜爱。其作品所展现的现实主义风貌,引人关注并能传递一定的价值理念。郑晓龙导演每个阶段的电视剧,总能引领时代浪潮,电视剧中的女性形象都独具特色,让人印象深刻,她们或善良柔情、或杀伐果断,或聪颖机智等,而这些女性形象随着时代的发展逐渐走向丰满与成熟,女性意识不断得到开掘和深化,正是因为她们的存在,才使得郑晓龙电视剧愈发的引人夺目。而当下热播古装宫廷戏《甄[传》《芈月传》更是把女性形象提升到一个前所未有的高度,以古喻今,对我们现代女性的生活产生了深刻的影响,并具有一定的启示意义。本篇论文选取了郑晓龙作品中极具代表性的电视剧作品——时代四部曲为研究对象,选取作品中女性形象的特征和塑造,对其电视剧进行深入的分析,以电视剧中的女性形象为突破口,让大众在更好的了解郑晓龙导演及其电视剧的同时进行反思,给当代生活中的女性以启示。全文分为四个部分:第一部分,郑晓龙导演及其作品概述,让我们对郑导有一定的了解。第二部分,家庭突围和意识转变的女性群像,以时代背景下电视剧中的女性形象“家”意识和思想的转变轨迹为线索,探究郑晓龙导演时代四部曲中女性形象思想的演变过程。第三部分,维度多重和风格独特的造型策略,从郑晓龙导演的时代四部曲中不同女性形象特点、性格等方面研究出发,探寻郑晓龙导演电视剧中作品中女性形象的塑造特点。第四部分,形象构建和文化流变的互动生成,女性形象表现出来的特色不仅仅是个人的、导演的、编剧的,更是整个时代的文化缩影与精神压缩,电视剧作品和时代相互交融,形象与文化的互动生成,这有利于我们进一步了解郑晓龙导演的电视剧和电视剧中的女性形象。
[Abstract]:TV dramas, as an important carrier of cultural communication that the public like to see, have been deeply rooted in the broad audience. "National Director" Zheng Xiaolong, from -20s to the present, has not only won numerous awards for his TV series, It has also created many Chinese TV dramas first, and has been loved by the public. His works show realism, attract attention and convey certain values. Zheng Xiaolong's TV series at every stage can always lead the tide of the times. The female images in the TV series are unique and impressive. They are either kind-hearted or resolute, or intelligent and resourceful, and these women's images are gradually moving towards fullness and maturity with the development of the times. Women's consciousness is constantly being explored and deepened, precisely because of their existence. It is only now that Zheng Xiaolong's TV dramas have become even more attractive. And the current popularity of the ancient court drama Zhen [Zhuan] [biography of Mi Yue] has even raised the image of women to an unprecedented height, which is an ancient and modern word. It has a profound influence on the life of our modern women, and has certain enlightening significance. This paper selects Zheng Xiaolong's most representative TV play work, the Times Tetralogy, as the object of study, which is one of the most representative TV plays in Zheng Xiaolong's works. Selecting the characteristics and shaping of the female image in the works, deeply analyzing its TV series, taking the female image in the TV series as a breakthrough, so that the public can better understand the director Zheng Xiaolong and his TV series, and at the same time reflect on them. The full text is divided into four parts: the first part, director Zheng Xiaolong and his works overview, let us have a certain understanding of Zheng. The second part, the female images of family breaking out and changing consciousness. Based on the clue of the change of consciousness and thought of the female image "home" in the TV drama under the background of the times, this paper probes into the evolvement process of the female image thought in Zheng Xiaolong's age quadrangle. The third part, the multi-dimensional and stylistic modeling strategy, Based on the study of different female images and characters in Zheng Xiaolong's epoch quadrangle, this paper explores the shaping characteristics of female images in Zheng Xiaolong's TV dramas. Part 4th, the interactive generation of image construction and cultural change, The characteristics of female images are not only personal, directed, scriptwriter, but also the cultural epitome and spiritual compression of the whole era, the blending of TV dramas and the times, and the interactive generation of images and cultures. This is conducive to us to further understand Zheng Xiaolong's TV series and TV series in the female image.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J911

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