中国电视文艺浪潮现象研究

发布时间：2018-03-05 14:38

本文选题：电视文艺　切入点：浪潮现象　出处：《辽宁大学》2013年硕士论文　论文类型：学位论文

【摘要】：21世纪，中国的电视产业发展进入空前繁荣时期，电视文艺作品大量涌现。但是，对于电视文艺范畴的研究主要集中在类型分析上，表现为对单一电视文艺类型的研究。这些研究对于电视文艺作品内部规律的总结和归纳基本属于空白。由此通过结合不同时期优秀电视文艺作品的发展进行研究和分析，并借鉴“浪潮”的抽象性、概括性和规律性的特征，提出电视文艺浪潮现象研究。试图对电视文艺的内在规律进行探索和总结，构建研究的理论框架，分析电视文艺浪潮现象形成的原因。电视文艺浪潮现象是指在某一特定时期内的电视文艺作品能够起到带动和推动作用，并引发的一种潮流的文化现象。电视文艺浪潮现象是其发展到一定阶段的产物，并通过审美接受演变至今。同时电视文艺作品又是艺术商品，伴随着产品从生产到流通最终被消费。因此浪潮现象便呈现出规律性的发展历程，即酝酿期、浪涌期、涟漪期和平静期四个时期。电视文艺作品以电视荧屏为载体，最终的接受者是电视观众，电视观众欣赏电视文艺作品的过程正是审美接受过程。在这一过程中，受众受到自身从众心理和求新心理的影响，自由选择电视文艺作品，，这一过程是电视文艺浪潮现象产生的重要原因。由于，电视文艺作品的内容和形式等诸多方面浑然一体，因此，电视文艺作品创作的主题设置、题材选择、表现风格以及后期制作等则是其于竞争潮流中的决胜因素。电视文艺作品作为一种艺术商品，市场便是检验其商业价值的试金石，而中国电视业进入市场经济以来激烈的竞争，政策法规的扶植和制约，电视市场产业化的运作直接引起电视文艺浪潮现象。研究电视文艺浪潮现象的特点及成因是为了更好的指导中国电视文艺的发展，优化中国电视产业。在研究过程中我们发现，事物本身具有两面性，优秀的电视文艺作品在推动电视产业发展的同时，也产生负面影响。这主要表现为“抄袭”、“跟风”、“翻拍”现象严重，这些为了单纯追求某种商业利益而产生的不良现象阻碍了中国电视产业的发展，但这也是电视文艺作品发展的必经阶段，我们不能摒弃这些现象，却可以通过对浪潮现象的研究减缓和纠正不良现象的产生频率，令其不能成为主导，而成为激励中国电视产业发展的助动力。
[Abstract]:In 21th century, the development of China's television industry entered an unprecedented boom period, and a large number of television literary and artistic works emerged. However, the research on the category of TV literature and art mainly focused on the type analysis. These studies are basically blank in the summary and induction of the internal laws of television literary works. Thus, by combining the development of excellent television literary and artistic works in different periods, the research and analysis are carried out. Based on the abstractness, generality and regularity of "Tide", this paper puts forward the research on the phenomenon of TV literature and art wave, tries to explore and summarize the inherent laws of TV literature and art, and constructs the theoretical framework of the research. This paper analyzes the causes of the phenomenon of TV literature and art. The phenomenon of television literature and art wave refers to the cultural phenomenon that the television literature and art works can play a driving and promoting role in a certain period and lead to a trend of culture. The phenomenon of television literature and art wave is the product of its development to a certain stage. At the same time, TV works of literature and art are also artistic commodities, accompanied by the final consumption of products from production to circulation. Therefore, the wave phenomenon presents a regular course of development, that is, gestation period, surge period, Ripple period and quiet period four periods. Television works of literature and art take TV screen as the carrier, and the final receiver is the television audience. The process of appreciation of TV works is the process of aesthetic acceptance. The audience, influenced by their own mentality of following the masses and seeking new ideas, freely chooses television works of literature and art. This process is an important reason for the wave of television literature and art. As the contents and forms of television works of literature and art are integrated in many aspects, Therefore, the theme setting, theme selection, performance style and post production of TV literary works are the decisive factors in the competitive trend. The market is the touchstone to test its commercial value. Since China's television industry entered the market economy, the fierce competition, the support and restriction of policies and regulations, and the operation of TV market industrialization directly cause the phenomenon of TV literature and art wave. The purpose of studying the characteristics and causes of TV literature and art wave phenomenon is to better guide the development of Chinese television literature and art and optimize the Chinese television industry. In the course of our research, we found that things have two sides. While promoting the development of the television industry, excellent TV literary and artistic works also have a negative impact. This is mainly manifested in the phenomenon of "plagiarism", "following the wind" and "remaking". These undesirable phenomena in pursuit of a certain commercial interest have hindered the development of China's television industry, but this is also a necessary stage in the development of TV literary and artistic works, and we cannot abandon these phenomena. However, it can slow down and correct the frequency of bad phenomena through the study of wave phenomenon, so that it can not become the leading force, but become the auxiliary power to stimulate the development of China's television industry.
【学位授予单位】：辽宁大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：G229.2-F;J90

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