《红楼梦》的影视改编与传播

发布时间：2018-03-05 17:36

本文选题：《红楼梦》　切入点：谢铁骊　出处：《山西师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：小说《红楼梦》作为中国文学史上的一个奇迹，散发出独特的艺术魅力。千百年来，历代文人学者对其进行了评点和研究，取得的成就硕果累累。当今随着“图像时代”镜像文化的发展，文学作品的“图像化”发展似乎成为现代文化对文学的另一种解读，而这种方式的转变恰好迎合了广大受众的审美需求。“集万千宠爱于一身”的《红楼梦》，其影视改编与传播这一课题值得我们去深入研究和学习。笔者在对数年来《红楼梦》的影视传播与改编进行梳理后，以其中较为成就显著的样本进行了分析。虽为姊妹艺术，电影和电视对其的解读还是不同的。本论文主要以《红楼梦》影视改编这个角度为主题，分为五个部分来将以论述：第一部分：对小说《红楼梦》影视改编与传播这一话题做了简要的综述。从课题研究的背景、内容现状、研究的目的和意义、研究的预期目标等方面做了分析。第二部分：简单论述了“图像时代”的《红楼梦》影视改编与传播的“三性”和改编成功的标准、改编传播的模式与受众感受以及改编的困惑与思索等问题。第三部分：梳理了“银幕时代”《红楼梦》电影摄制的简史，对其部分作品做了简要分析；对“造梦人”(红楼梦的电影创作者)中重要的、具有代表性的人物做了介绍和评点；着重对89年谢铁骊所导的电影《红楼梦》做了深入详细的阐释，以影视试听语言为主，分析了电影自身所独具的影视特点和受众的感受等问题。第四部分：梳理了“屏幕时代”《红楼梦》所摄制电视剧简史，，对其部分作品做了简要分析；对电视剧中杰出的、具有代表性的编剧做了简要介绍和评点；着重对被奉为“经典”的87版电视剧《红楼梦》做了深入阐释，以影视的叙事及风格为视角，从素材的总体选择、场面调度、情节设置、演员的挑选、各种元素和造型手段的表意功能等方面加以论述，对其存在的一些瑕疵做了简要分析。此两部分为论文的主体部分，从不同的侧面对比了电影和电视这两种不同媒介对《红楼梦》解读的差异性。以电影和电视所呈现的不同审美特征，深入分析了《红楼梦》电影中的“经典”和《红楼梦》电视剧中的“经典”。对两位导演创作风格和指导思想作了简要评析。两章内容不同的视点、不同的结构设置使其在无形中就形成了鲜明的对比。第五部分：结语本论文研究的创新点在于：第一、影视美学、媒介学理论的运用。《红楼梦》的影视研究所涉及的内容有别于传统传播方式（文字的抄写、印刷、说唱文学的口头传播等）的研究，作为一种新的传播手段和方式，必然得以现代媒介理论和影视美学等相关学科内容作为理论基础和原理。二、研究方法的创新。对这一命题的研究，采用了传统研究与现代研究相结合的研究方法。针对研究对象的特点，将影像资料与文字资料进行结合：既要收集已有文字阐释的影像资料，又要关注未经文字阐释的影像资料，同时还要对《红楼梦》电影、电视剧作深入的艺术分析，充分展现《红楼梦》在不同历史时期和社会环境下的不同传播手段和媒介，对其戏剧化改编及其传播过程加以观照，研究其中所涉及的一系列问题。
[Abstract]:The novel "a dream of Red Mansions" as a miracle in the history of literature Chinese, exudes a unique artistic charm. For thousands of years, the scholars of the commentary and Research on the achievements of the great achievements. Nowadays with the development of the cultural mirror image era, literary works of the "image" of development seems to be the modern literary culture on another interpretation, and change this way just to meet the aesthetic needs of the audience. "Set thousands of pet in a" "a dream of Red Mansions", the film adaptation and dissemination of this topic is worth researching and learning. The author in logarithmic years media "a dream of Red Mansions > and adapted after carding to one of the more prominent achievements. Although the samples were analyzed for sister art, film and television on the interpretation or different.
This thesis is mainly based on the theme of "the dream of Red Mansions" and "film and television adaptation", which is divided into five parts to discuss:
The first part: a brief review of the theme of film and television adaptation and dissemination, such as the dream of Red Mansions, the background, the content, the purpose and significance of the research, and the expected goals of the research.
The second part: briefly discusses the "image era" of "a dream of Red Mansions" film adaptation and dissemination of the "three" and the successful adaptation of standard, communication mode and adaptation of the feelings of the audience and the adaptation of the confusion and thinking problems.
The third part: combing the "screen time" "a dream of Red Mansions" filmmaking history, some of the works are briefly analyzed; the "Dreams" (a dream of Red Mansions in important filmmakers), the representative introduces and comments; focus on 89 years of Xie Tieli's film "a dream of Red Mansions" in detail explanation, with film audition language, analyzes the characteristics of film and television film and its audience unique feelings and other issues.
The fourth part: combing the "screen time" "a dream of Red Mansions" in the history of the TV plays, some of his works are briefly analyzed; the drama outstanding, representative writer makes a brief introduction and comment; focus on is regarded as a "classic" the 87 version of the TV series "a dream of Red Mansions" do a thorough explanation, in narrative style and the film from the perspective of the overall material selection, scene scheduling, plot setting, the selection of the actors, discusses the various elements and other means of ideographic function, some of the existing defects are briefly analyzed.
The two part is the main part of the paper, were also compared from different aspects of film and television of the two different media on the interpretation of "a dream of Red Mansions". Different aesthetic characteristics shown in film and television, in-depth analysis of the "a dream of Red Mansions" in the movie "classic" and "a dream of Red Mansions". The "classic". The two directors of the creation style and guiding ideology briefly. The two chapter contents of different viewpoints, different structure is arranged in the invisible in stark contrast.
The fifth part: the conclusion
The innovative point of this paper is: first, film aesthetics and film theory. The study of media using a dream of Red Mansions "the content is different from the traditional mode of transmission (text copying, printing, rapliterature of verbal communication etc.) study, as a new means of communication and the way to the inevitable the related subject of modern media theory and film aesthetics etc. as the theoretical basis and principle. In two, the innovation of research methods. The research on this topic, the traditional and modern research methods of the combination. According to the characteristics of the research object, the image data and text data with image data should be collected for interpretation of the text, but also pay attention to the image data without text interpretation, but also to" a dream of Red Mansions "movie, TV drama in-depth analysis of art, full of" a dream of Red Mansions "in different historical periods and social The different means of communication and media in the environment are used to study the series of problems involved in its dramatic adaptation and dissemination.

【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905;I207.411

【相似文献】