电影《送乡人》:西部空间书写女性悲歌

发布时间：2018-03-05 23:28

  本文选题：西部空间　切入点：女性　出处：《电影文学》2017年18期 　论文类型：期刊论文

【摘要】：2014年,汤米·李·琼斯自编自导自演的全新力作《送乡人》,挪取西部片的类型元素,逆袭传统西部片中精心建构的男性话语意识,首次将女性跃升为西部空间的主角。借助荒蛮恶劣的西部空间语境与男性亵渎的双重互动,把女性惊人的勇气与魄力、绝望与癫狂发挥得淋漓尽致。本文借此为依托,对西部空间中的女性形象进行探究,透过女性命运悲剧的表象来高度褒扬女性存在的价值。
[Abstract]:In 2014, Tommy Lee Jones wrote, directed and performed a new masterpiece, "delivering the Home Man," to take away the genre elements of the westerns, and to counter the carefully constructed sense of male discourse in the traditional westerns. It is the first time that women are promoted to the protagonists of western space. With the help of the harsh western space context and the double interaction of male blasphemy, women's astonishing courage and drive, despair and madness are brought into full play. This paper probes into the female image in the western space and highly exalts the value of the female existence through the appearance of the female destiny tragedy.
【作者单位】： 上海大学;
【分类号】：J905
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本文编号：1572378