海岩“生死之恋三部曲”叙事伦理研究

发布时间：2018-03-06 01:34

本文选题：海岩电视剧　切入点：生死之恋三部曲　出处：《西南交通大学》2013年硕士论文　论文类型：学位论文

【摘要】：海岩作为国内最富盛名的编剧之一,曾经先后创作了《一场风花雪月的事》《玉观音》《永不瞑目》《拿什么拯救你,我的爱人》等引发收视热潮、产生轰动效应的电视剧,海岩剧理所当然的成为了知名的电视剧品牌,甚至成为了内地电视剧市场一道奇特的文化景观。尤其是《玉观音》《拿什么拯救你,我的爱人》和《永不瞑目》三部曲已经成为中国电视剧历史上的经典之作。本文将江苏卫视重新打造的“新生死之恋三部曲(《新玉观音》《新拿什么拯救你,我的爱人》和《新永不瞑目》)”作为研究文本,将叙事伦理的相关理论引入电视剧艺术的研究当中。第一章绪论部分主要交代清楚如下问题：本文的研究意义和价值——电视剧艺术作为大众文化的代表应该给予更多学理上的关怀,叙事伦理作为后经典叙事学的一个重要方向值得我们对其理论指涉范围进行一定层面的拓展；综述国内研究现状——关于海岩剧的研究更多还是停留在传统叙事学的层面,关于叙事伦理的研究也基本停留在小说层面；以及本文拟采用的研究方法。第二章厘清本文研究的理论来源,分为三节：第一节对于电视剧叙事学进行简要概述,具体涉及到叙事学如何被引入电视剧的研究以及电视剧叙事学的研究对象；第二节探讨叙事学的伦理转向,由修辞的复兴到伦理学对于叙事学的启示,进而阐释清楚叙事伦理研究的渐现；第三节对于叙事伦理引入电视剧研究进行可行性的论说。第三章论述本文的研究对象,对“生死之恋三部曲”的诞生背景进行总结。第四章作为本文研究的重点,具体对“三部曲”进行叙事伦理研究,共包含四节,第一节廓清电视剧叙事中的三个基本元素,即叙述者(编剧)、叙事文本(作品)和叙事接受者(观众)；后面三节分别关注电视剧叙事中的三元素,具体涉及到叙事主体与伦理导向性,从可靠叙事和不可靠叙事两个层面展开；接下来论述叙事文本与伦理传达的关系,具体指涉“三部曲”当中的叙事伦理符码,即家庭伦理、性爱伦理、社会伦理和死亡伦理四个方面；最后讨论叙事接受与伦理交流,阐述电视剧收视与价值生成和伦理习得的关联。最后一个章节对作为批评范式的电视剧叙事伦理批评进行反思,进一步阐明本文观点：叙事伦理批评进入电视剧研究的切实可行性。
[Abstract]:As one of the most famous screenwriters in China, Haiyan has successively created "A Flower and Snow Moon incident", "Jade Guanyin", "Unclosed eyes", "what to Save you, my beloved" and other TV dramas that triggered a television boom and produced sensational effects. Haiyan Opera has naturally become a well-known TV drama brand, and even a strange cultural landscape in the mainland TV show market. Especially, "Yuguanyin" < "what to save you," My Love and never die trilogy has become a classic in the history of Chinese TV dramas. This paper takes Jiangsu Satellite TV's new trilogy of Love of Life and death ("New Yu Guanyin", "what to Save you, my Love" and "New and never die") as the research text. The related theory of narrative ethics is introduced into the study of TV drama art. The first chapter introduces the following questions: the significance and value of this thesis-the representative of popular culture should be given more theoretical care by the art of TV dramas. As an important direction of post-classical narratology, narrative ethics deserves us to expand the scope of its theoretical reference to a certain level, and summarize the current situation of domestic research-the study of Haiyan drama is more or more stay at the level of traditional narratology. The research on narrative ethics also stays at the novel level, and the research methods to be adopted in this paper. The second chapter clarifies the theoretical source of this study, which is divided into three sections: the first section is a brief overview of the narratology of TV series, specifically involving how narratology was introduced into the study of TV dramas and the research object of TV drama narratology; The second section discusses the ethical turn of narratology, from the revival of rhetoric to the enlightenment of ethics for narratology, and then explains the gradual emergence of narrative ethics; the third section discusses the feasibility of introducing narrative ethics into TV drama. The third chapter discusses the research object of this paper, summarizes the birth background of the love trilogy of life and death. Chapter 4th, as the focus of this paper, specifically studies the narrative ethics of trilogy, which contains four sections. The first section clarifies the three basic elements in the narration of TV series. That is, narrator (screenwriter), narrative text (work) and narrator (audience); the following three sections pay attention to the three elements in the narration of TV drama respectively, which relate to the narrative subject and ethical guidance respectively. Then it discusses the relationship between narrative text and ethical communication, specifically refers to the narrative ethics code in the trilogy, that is, family ethics, sexual ethics, and so on. Finally, it discusses the relationship between TV drama viewing and value generation and ethical acquisition. The last chapter reflects on the narrative ethical criticism of TV series as a critical paradigm and further clarifies the point of view of this paper: the feasibility of the ethical criticism of narrative into the study of TV series.
【学位授予单位】：西南交通大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

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