“织体”的剧变:近年来东欧动画长片的合作与反击

发布时间：2018-03-11 00:26

  本文选题：东欧动画　切入点：“织体”　出处：《当代电影》2017年11期 　论文类型：期刊论文

【摘要】：本文希望借用音乐中"织体"概念来分析社会剧变后东欧动画长片在结构和合作方式上的多元性,分别通过寓言的"织体"、解构的"织体"和艰难的"织体"分析东欧动画长片的叙事结构、戏谑经典和重审历史等特性,并讨论近年来东欧动画长片涌现出的一批具有跨界身份的动画导演及其作品。东欧动画长片不仅以多种"织体"方式结构与展现,也激发了多国合作和联合制片的实验,这恰恰可以视作对好莱坞动画工业的抵抗,也是对人们感慨"东欧动画不复辉煌"的反击。
[Abstract]:This paper hopes to use the concept of "texture" in music to analyze the diversity of the structure and cooperation mode of the Eastern European animation feature films after the social upheaval. Through fable texture, deconstructed texture and difficult texture, this paper analyzes the narrative structure, playful classics and reexamination of history of the animated feature films in Eastern Europe. It also discusses a number of animation directors and their works with cross-border identity that have emerged in recent years in the Eastern European animated feature films. The Eastern European animated feature films are not only structured and displayed in a variety of "texture" ways, but have also inspired multinational cooperation and joint production experiments. This can be seen as the resistance to Hollywood animation industry, but also to people's feelings that "Eastern Europe animation is no longer brilliant."
【作者单位】： 中国人民大学艺术学院;
【分类号】：J954
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本文编号：1595783