华莱坞电影研究的基本内涵、方法取径与实践展望

发布时间：2018-03-14 06:38

本文选题：华莱坞　切入点：电影研究　出处：《当代传播》2017年01期 　论文类型：期刊论文

【摘要】：中国电影场域长期以来充满多种概念之争议。华莱坞作为电影研究新近概念,则是观察中国电影新时期图景变化的一扇窗口。华莱坞建构的理论内涵一方面包含了与以好莱坞为代表的全球电影工业典范之间的互动,另一方面如何在复杂的中华性脉络中重新寻找检视民族电影工业的整合性视角,无疑方是核心命题依归。基于既有华莱坞论述所形成的共识,已经至少形成涵盖批判性政治经济学、历史维度分析、跨国分析以及产业经济分析在内的交叉化方法体系。在创新自身理论视野的过程中,华莱坞研究或可注意如下四种实践面向:即文化杂糅的电影史观、融合媒介的内容商品、软实力形态的全球符号、公共空间化的观念生产,从而促进华莱坞概念成为可供当代传播影视学进一步讨论、提炼与实践的知识架构。
[Abstract]:The field of Chinese cinema has long been full of controversy of many concepts. It is a window to observe the changes of the Chinese film landscape in the new era. The theoretical connotations of Warwick's construction include, on the one hand, the interaction with the model of the global film industry represented by Hollywood. On the other hand, there is no doubt that how to re-search the integrated angle of view to examine the national film industry in the complex Chinese context is the core proposition. It has formed at least a system of intersecting methods including critical political economy, historical dimension analysis, transnational analysis and industrial economic analysis. In the process of innovating its own theoretical perspective, Warwick's research may focus on the following four aspects of practice: cultural hybridity of film history, integration of media content and commodities, global symbols of soft power, and production of public space. Thus to promote the concept of Warwick as a knowledge framework for further discussion, refinement and practice of contemporary communication film and television science.
【作者单位】：浙江大学传媒与国际文化学院;
【分类号】：J905

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