新世纪台湾新锐女电影导演研究

发布时间：2018-03-22 16:42

本文选题：台湾女导演　切入点：大陆女导演　出处：《重庆大学》2014年硕士论文　论文类型：学位论文

【摘要】：新千年以来，台湾电影业持续低迷。自台湾新电影运动之后，优秀导演的数量下滑，作品质量也参差不齐，不成体系。与此相伴随的是，投资者对台湾电影市场多持驻足观望的态度，而资金的缺口更加重了台湾电影的产业困境，令电影人的突围越发艰难。在这种历史境遇之下，一批优秀的台湾女导演从电影工业的蝉蛹中破茧而出，她们以群体姿态出现于台湾影坛，为沉寂的台湾电影业注入了一股清新的空气，成为台湾电影文化生态中一道不可忽视的风景。自上世纪七十年代女性平权运动发生以来，世界各国纷纷涌现出大量的女导演。但随着时间的推移，受各国政策、战争、信仰、历史、文化等诸多原因的影响，目前能在本国形成具有影响力的女导演群体的国家和地区已屈指可数。台湾能够有数量稳定的女导演群体，得益于台湾内部政策的助益和活跃的女性影像协会的推动。政府的国片辅导金为女导演提供了相对公平的资金筹集平台，而女性影展的举办则提升了她们作品的影响力。李芸婵、王毓雅、周美玲、陈映蓉、郑芬芬、傅天余、陈芯宜、曾文珍是台湾女导演群体的代表人物，，她们大多出生于二十世纪七十年代前后，有着短片、记录片、剧情片等丰富的影像创作。她们的作品灵动细腻，风格多变，以别样的视角和表达方式打破了男权主义的伦理束缚，传达并张扬着独特的女性意识和女性经验，活跃了台湾影坛的同时也在国际上斩获多项大奖。本文将以以上八位女导演的作品为代表，探究其多元化影像风格之余，更为洞悉女导演对于自身命运的审视和描绘，剖析出她们对生命漂泊状态的刻画以及对家与国的遥想与渴望。作为不乏女导演数量的大陆，如何引荐台湾女导演的发展之路，形成具有群体效应的女导演群，这亦是一个亟待破解的论题。本文最后一章试图通过对台湾与大陆女导演的发展背景及现状的对比，来呈现两地女导演各自的优劣，勾画两地女导演的发展前景，以达到互鉴之目的。
[Abstract]:Since the new millennium, Taiwan's film industry has been in a doldrums. Since the new film movement in Taiwan, the number of outstanding directors has declined, and the quality of works has been uneven and fragmented. Investors have taken a long wait and see attitude towards Taiwan's film market, and the lack of funds has exacerbated the plight of Taiwan's film industry and made it more difficult for filmmakers to break through. In this historical situation, A group of outstanding Taiwanese women directors broke their cocoons from the cicada pupae of the film industry. They appeared in Taiwan as a group, infusing a fresh air into the silent Taiwan film industry. Become a scenery that cannot be ignored in Taiwan film culture ecology. Since the women's equal rights movement took place in the 1970s, a large number of women directors have emerged all over the world. But with the passage of time, they are influenced by the policies, wars, beliefs, history, culture and so on. At present, there are few countries and regions that can form an influential group of women directors in the country. Taiwan can have a stable number of women directors. Thanks to the help of Taiwan's internal policies and the promotion of the active Women's Image Association, the government's National Film Counselling Fund provides a relatively fair platform for women directors to raise funds. However, the holding of the Women's Film Festival has enhanced the influence of their works. Li Yun Chan, Wang Yuya, Zhou Meiling, Chen Yingrong, Cheng Finn, Fu Tianyu, Chen Yuyi and Zeng Wenzhen are representatives of Taiwan's female directors group. Most of them were born in the 1970s and have rich video creations such as short films, documentaries, drama films, etc. Their works are exquisite and varied in style. In a different way of view and expression, it breaks the ethical shackles of male chauvinism and conveys and publicizes the unique female consciousness and experience. This article will take the works of more than eight female directors as representatives, explore their diverse image styles, and also gain insight into the scrutiny and portrayal of their own destiny by women directors. It analyzes their depiction of life wandering state and their longing for home and country. As a mainland with no shortage of female directors, how to introduce the development of women directors in Taiwan and form a group of women directors with a group effect? This is also a topic to be solved. In the last chapter of this paper, we try to show the advantages and disadvantages of the female directors of the two places by comparing the development background and the present situation of the women directors in Taiwan and the mainland, and to outline the development prospects of the women directors in the two places. In order to achieve the purpose of mutual learning.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J911

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