中国电影文化生态链及其未来——2016年国产片的文化景观

发布时间：2018-04-11 14:25

本文选题：中国电影文化生态链 + 有忧而喜　；参考：《当代电影》2017年03期

【摘要】：2016年度中国电影,可以让人窥见中国电影文化生态链及其自调机制问题。电影文化生态变异恰是文化生态的正常态。超常速度的增长难免会暴露内核上的思想情感空洞和导向上的价值迷茫。中俗片整体转冷令人担忧,显示中国电影文化生态链在自我调节或平衡方面缺失明显。脱俗片的新开拓成绩虽然有限,但年轻编、导群体的艺术片在边缘诗意式超现实影像浪潮方面的建树毕竟值得铭记。中国电影文化生态链本身就在呼唤并确实产生一种自主调节机制。当前社会种种权力关系的复杂纠集导致电影文化生态发生中轴偏移现象,使得种种不平衡现象此起彼伏而一时难以遏止。展望中国电影文化生态链的未来,合理的状况是脱俗片、中俗片和浅俗片三者间保持橄榄型结构,顺应生态规律而让生态链各方之间长期处于持续的平衡态。
[Abstract]:Chinese movies of 2016 can give a glimpse into the ecological chain of Chinese film culture and its self-tuning mechanism.The variation of film culture ecology is the normal state of culture ecology.The growth of supernormal speed will inevitably expose the ideological and emotional void and the value of guidance.The whole cooling of Chinese films is worrying, which shows that the ecological chain of Chinese film culture is obviously lacking in self-adjustment or balance.Although the new achievements of the vulgar films are limited, it is worth remembering that the artistic films of young people and leading groups have made great achievements in the surreal wave of marginal poetic images.The ecological chain of Chinese film culture itself is calling and producing a self-regulating mechanism.At present, the complex gathering of various power relations in the society leads to the phenomenon of center-axis deviation in the film culture ecology, which makes it difficult to stop all kinds of unbalanced phenomena one after another.Looking forward to the future of the ecological chain of Chinese film culture, the reasonable condition is to keep the olive structure between the free film, the Chinese vulgar film and the shallow vulgar film, to conform to the ecological law and to make the ecological chain between the parties in a sustained state of balance for a long time.
【作者单位】：北京大学艺术学院;

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