《复制品的魅力—荣宝斋木版水印传奇》作品阐述

发布时间：2018-04-13 16:01

本文选题：荣宝斋 + 木版水印　；参考：《中央民族大学》2017年硕士论文

【摘要】：纪录片不同于口语叙述或者文字采访,它拥有不同于其他历史资料的独特魅力,是富有启发性的、具有创造力和视觉冲击力的影像作品。近些年随着文化类题材纪录片的流行,许多导演将目光聚焦在中华文明的发展和弘扬方面,例如:我在故宫修文物、手艺等纪录片,获得了大量的关注和好评。依托于国家对非物质文化遗产日益重视和保护的大背景,我也希望为我国传统文化的保护尽自己的一份力量,因此拍摄制作了《复制品的魅力——荣宝斋木版水印传奇》这一关于国家级非物质文化遗产木版水印的纪录片。记录片将国家级非物质文化遗产木版水印的工艺流程呈现给观众,希望更多的人了解并认识到我国非物质文化遗产的价值,推动木版水印以及我国更多传统文化的保护、传承与发展。本文以毕业作品《复制品的魅力——荣宝斋木版水印传奇》的拍摄制作为基础,分为四个部分对该作品进行阐述与分析,帮助受众了解该作品的创作思路和制作过程。文章第一部分内容是对选题来源和作品意义进行阐述;第二部分介绍了拍摄对象荣宝斋木版水印的发展和现状,并介绍了木版水印的工序流程;第三部分是阐述作品的制作过程,包括前期准备、拍摄计划、拍摄技巧与理念,后期剪辑;第四部分是对作品的收获与思考。通过对作品的详细梳理、阐释与反思,使纪录片变得更加清晰,有利于作品的观赏者为作品提出更多的指导和建议,也有利于自己更好地掌握纪录片的创作过程、拍摄理念、剪辑技巧等,使自己在今后的学习和工作中能更有针对性的学习和运用。
[Abstract]:Documentary film is different from oral narration or text interview, it has unique charm different from other historical materials, and it is an enlightening, creative and visual impact of the image works.In recent years, with the popularity of cultural documentaries, many directors will focus on the development and promotion of Chinese civilization, for example: I in The Imperial Palace cultural relics, crafts and other documentaries, has received a lot of attention and praise.Relying on the background that the country is paying more and more attention to and protecting the intangible cultural heritage, I also hope to do my part for the protection of our traditional culture.Therefore, this documentary about the wood watermarks of the national intangible cultural heritage has been made in "the charm of replicas-Legend of Wood Watermark in Rongbaozhai".The documentary presents the process of wood-based watermarking of national intangible cultural heritage to the audience, hoping that more people will understand and realize the value of China's intangible cultural heritage, and promote wood-based watermarking and the protection of more traditional culture in our country.Inheritance and development.Based on the photography and production of the graduation work "the charm of replicas-the Legend of Watermark in Rong Baozhai Wood Edition", this paper is divided into four parts to explain and analyze the work in order to help the audience understand the creative thinking and production process of the work.The first part of the article is to explain the origin of the topic and the significance of the work. The second part introduces the development and current situation of the watermarks of the wood plate, and introduces the process flow of the watermark.The third part is to elaborate the production process of the work, including preparation, shooting plan, shooting techniques and ideas, post-editing; the fourth part is the harvest and thinking of the work.Through the detailed combing, interpretation and reflection of the works, the documentary will become more clear, which will help the viewers of the works to put forward more guidance and suggestions for the works, and will also be conducive to their better understanding of the process of documentary creation and the shooting concept.Editing skills, so that they can learn and work in the future more targeted learning and application.
【学位授予单位】：中央民族大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J952

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