近年来国产电影、电视剧互为改编对象的价值研究

发布时间：2018-04-23 09:39

  本文选题：“对象化”改编 + 影视剧“重复审美”观念　； 参考：《上海戏剧学院》2013年硕士论文

【摘要】：近年来，国内影视剧市场出现了一种现象：热映的电影被改编成同名电视剧，在主要剧情基本不变的基础上仍能在荧屏前走红，如影片《手机》、《杜拉拉升职记》等；同时，热播电视剧因其传播平台的广泛性与影响力，在改编成同名电影后依旧能吸引大批观众，票房收益也整体比同期上映的国产原创影片来的丰厚，，如电视剧《将爱情进行到底》、《武林外传》等。这一改编现象在当下国内影视剧市场不仅愈演愈烈，同时也因其潜在学术价值和商业价值的存在，受到了国内影视剧从业人员的广泛关注。 针对这一现象的形成与发展，作者将借以影视美学、叙事学、大众传播学、消费心理学与社会学等相关理论知识进行较为详细的例证分析研究，最终推导出国产影视剧“对象化”改编所具有的价值平衡功能及其对当下国内编剧创作经验上带来的更新作用。 本文共分四章：第一章从影视剧改编为其他媒介作品的属性差异入手，对比论述国产电影、电视剧“对象化”改编的特有属性与诞生背景；第二章分析受众对影视剧“对象化”改编作品的审美接受，进而论述投资方顺应大众文化市场需求制定的市场运营竞争策略；第三章举例对比分析近年来国产影视剧“对象化”改编作品的改编手法，从而归纳出此类作品独有的美学特征；第四章探讨国产影视剧“对象化”改编作品的价值取向与创作启示，进而为国内影视剧改编工作提供一定的实践价值与理论支撑。
[Abstract]:In recent years, there has been a phenomenon in the domestic film and TV drama market: the hot films have been adapted into TV dramas of the same name, and on the basis of the basic invariance of the main plots, they can still become popular in front of the screen, such as the film "Mobile phone", the promotion of du Lala, and so on. At the same time, Because of the breadth and influence of its dissemination platform, popular TV dramas can still attract a large audience after being adapted into films of the same name, and the overall box-office income is higher than that of original domestic films released in the same period. For example, TV series "will love to the end", "Swordsman", and so on. The adaptation phenomenon in the current domestic film and television drama market not only intensified, but also because of its potential academic value and commercial value of the existence of domestic film and television practitioners have received extensive attention. In view of the formation and development of this phenomenon, the author makes a detailed analysis of the relevant theoretical knowledge of film and television aesthetics, narratology, mass communication, consumer psychology and sociology. Finally, the author deduces the value balance function of the adaptation of domestic film and TV drama "objectification" and its updating effect on the current domestic screenwriter's creation experience. This article is divided into four chapters: the first chapter from the film and television drama adaptation into other media works of the characteristics of the differences, the comparison of domestic films, TV series "objectification" adaptation of the unique attributes and birth background; The second chapter analyzes the audience's aesthetic acceptance of the adaptation of film and television drama "objectification", and then discusses the market operation competition strategy formulated by the investors to meet the needs of the popular culture market. The third chapter contrasts and analyzes the adaptation techniques of domestic film and television drama "objectification" in recent years, and concludes the unique aesthetic characteristics of this kind of works. The fourth chapter discusses the value orientation and creative inspiration of the adaptation of domestic film and television drama "objectification", and then provides some practical value and theoretical support for the adaptation of domestic film and television drama.
【学位授予单位】：上海戏剧学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

【参考文献】

相关期刊论文 前10条

1 陈晨;刘剑;;视觉语言与其他艺术语言的共通性表现[J];成都大学学报(社会科学版);2009年04期

2 周安华;视觉感动的镜像表现——论电影艺术理论的重构[J];当代电影;2005年05期

3 刘德明;;中国当代影视剧审美接受的反思与展望[J];山西大同大学学报(社会科学版);2011年02期

4 许湘云;;试析影视文艺作品对青少年的教化功能——从电影《网络妈妈》说起[J];电影文学;2009年19期

5 曹成利;;镜像文化价值导向新转变——兼论艺术与道德[J];电影评介;2010年07期

6 阿欣;《X档案》走红美国电视屏幕[J];当代电视;1996年04期

7 胡春宝;;《穿普拉达的女王》对职场新人之启示[J];大众心理学;2010年09期

8 仇蓓玲,陈桦;读者期待视野与译者翻译策略[J];北京第二外国语学院学报;2003年06期

9 彭涛;;主旋律电影再塑集体记忆的方式[J];江汉论坛;2011年10期

10 陈定家;“请客赴宴”与“开店卖饭”——关于艺术生产与消费的思考[J];吉首大学学报(社会科学版);2002年02期

相关会议论文 前1条

1 汪少明;胡立新;;透视美国电影续集现象[A];中国与世界影视文化多样性的现实与前景——中国高等院校影视学会第十一届年会暨第4届中国影视高层论坛论文集[C];2006年

相关硕士学位论文 前1条

1 向丹丹;好莱坞主打类型的能产性机制研究[D];西南大学;2010年

本文编号：1791411