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旗袍元素在影视作品中的应用分析

发布时间:2018-04-23 22:06

  本文选题:旗袍 + 影视作品 ; 参考:《上海师范大学》2014年硕士论文


【摘要】:一直以来,服饰就是影视作品中的一个重要元素。作为一种非语言的文化符号,服饰在影视作品中起着多方面的作用,为角色塑造、场景烘托、引导剧情等影视需要服务着。同时,由于影视作品的年代、地域、风格、思想中心的不同,服饰符号也有着明显的区别。因此,服饰作为影视符号的一种,也起着区分与标识的作用。而旗袍,就是我国影视作品中,,一个具有鲜明民族艺术特色和中国风格的服饰符号,既起到了影视服饰应有的基本作用,同时也为电影打上了浓厚的“Made in China”的文化符号。 旗袍在我国电影作品中可谓遍地开花,不同年代、不同风格的导演或多或少都会有关于旗袍的作品,这不仅是因为旗袍是符合作品年代的服饰要求,同时也因为旗袍具有特殊的美感。在电影的服饰应用之中,华美多变的旗袍也往往与穿着旗袍的动人女人捆绑销售,成为影视作品中的一个固有印象,闻名中外,也让梳着盘发、身着旗袍、风姿绰约的女性形象成为外国人眼中典型的中国美女形象。同时,旗袍的元素应用在影视作品的传播过程之中,和灯光、音乐、表演、台词一起,作为创作者和服装设计师的共同文化理念传递给观众,在打出个人风格的同时,满足观众的审美需求、提升情感共鸣,这也是影视作品的意义所在。另一方面,影视作品中的服饰元素应用,也对时尚流行、大众消费观念有着重要的引导作用。 因此,本文主要对具有中国民族特色的服饰符号——旗袍展开研究,通过对元素自身特点、发展历史的了解基础上,进一步研究其在影视作品中的应用。主要对应用意义、应用方法、应用效果等方面展开研究。同时,针对相关文献及研究作品中缺乏对影视作品中旗袍应用失败的研究进行补充,通过对部分失败作品的表现和原因进行归纳和总结,与旗袍应用成功的作品进行对比分析,进一步了解服饰在影视剧中应用的方法和注意点,为电影创作者提供一些借鉴。
[Abstract]:All along, dress is an important element in film and television works. As a non-verbal cultural symbol, clothing plays a multi-role in the film and television works. At the same time, because of the age, region, style, thought center of the film and television works, the clothing symbol also has the obvious difference. Therefore, as a kind of film and television symbol, clothing also plays a role in distinguishing and marking. And the cheongsam, which has the distinctive national art characteristic and the Chinese style in our country film and television works, has not only played the basic role which the movie clothing should have, but also played the thick "Made in China" the cultural symbol for the movie. Cheongsam can be seen everywhere in Chinese film works. In different times, directors of different styles will have more or less works on cheongsam, not only because cheongsam is in line with the dress requirements of the time of the works, Also because cheongsam has a special sense of beauty. In the clothing application of the film, the beautiful and changeable cheongsam are often bundled with the moving woman in the cheongsam, becoming an inherent impression in the film and television works. The graceful female image has become a typical Chinese beauty image in the eyes of foreigners. At the same time, the elements of cheongsam are used in the transmission of film and television works, together with lights, music, performances and lines, as the common cultural concept of the creators and the fashion designers, they pass on to the audience while playing out their personal style. Meet the aesthetic needs of the audience, enhance emotional resonance, which is the significance of film and television works. On the other hand, the application of clothing elements in film and television works also plays an important guiding role in fashion and popular consumption. Therefore, this article mainly carries on the research to the Chinese national characteristic clothing symbol-cheongsam, through to the element own characteristic, the development history understanding foundation, further studies its application in the film and television works. The application significance, application method, application effect and so on are studied. At the same time, aiming at the lack of research on the failure of the application of Qipao in the film and television works in the relevant literature and research works, through the induction and summary of the performance and reasons of some of the failed works, this paper compares and analyzes the successful works of the application of the cheongsam. To further understand the application of clothing in film and television drama, and pay attention to provide some reference for film creators.
【学位授予单位】:上海师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J905

【参考文献】

相关期刊论文 前2条

1 吴学钦;;从民国时期旗袍的演变看女性意识的变化[J];沧桑;2011年05期

2 孙玉凤;;解析电影人物旗袍服饰的运用[J];电影评介;2008年14期



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