王家卫电影音乐的特质
发布时间:2018-04-27 20:14
本文选题:电影音乐 + 王家卫 ; 参考:《河北大学》2014年硕士论文
【摘要】:电影成为综合艺术之后,音乐仍保持着本身所具有的艺术表现的特殊性。如擅长抒情、不擅长叙事、需要听觉来感受、需要时间的过程展现形像、通过演奏和演唱的再创作才能欣赏,但是,在表现的方式上却发生了相应的变化:音乐构思须根据电影的题材内容、风格样式、人物性格及导演的艺术总体构思,使音乐的听觉形像与画面的视觉形像相融合,体现综合性的美学原则。除神话片、童话片、科学幻想片以及现代的实验性的电影以外,电影中的人物造型、表情、动作、语言、环境气氛等,大都是接近现实生活的自然形态。因而,电影音乐也不象一般供音乐会上演出的纯器乐曲和舞台演出的歌剧音乐、舞剧音乐那么夸张和程式化;音乐常常与对话、自然音响效果相结合。在无声电影时期,有时音乐是唯一的声音,从头至尾贯串全片。由于录音技术的进步,,进入有声电影时期,除音乐之外,还可以录制语言和自然音响效果,解脱了在无声电影时期音乐超负荷的现象。导演和作曲家从电影的真正需要出发,只有在表现抒情性、戏剧性气氛的时候才恰当地、有效地使用音乐。这样,既符合音乐的艺术规律,又提高了电影综合艺术的美学功能。这使音乐真正地发展成为电影综合艺术的重要的有机组成部分,对电影音乐形成分段陈述的结构,也有促进作用。 王家卫的电影作品与他的电影音乐都有着浓厚的文艺色彩,如《花样年华》中的小提琴背景音乐,加上张曼玉穿着各式旗袍或静止或行走的优雅画面,文艺的气息扑面而来。电影《2046》的插曲《2046Main Theme》以及《Siboney》用小提琴以及打击乐等不同乐器将相同的旋律演奏出不同的风格效果,穿插在影片的不同内容中,表现出的情绪也大不相同。如何能将电影和音乐做到完美的结合,王家卫特有的文艺式电影音乐或许可以给我们一些启示。
[Abstract]:After the film becomes a comprehensive art, music still maintains its own particularity of artistic expression. If you are good at lyricism, not good at narration, you need hearing to feel, you need time to show your image, and you can appreciate it by playing and performing again, but, However, corresponding changes have taken place in the way of expression: the musical conception must be based on the subject matter, style, character and the overall artistic conception of the director, so that the auditory image of the music and the visual image of the picture can be combined. Embody comprehensive aesthetic principles. In addition to fairy tales, fairy tales, science fantasy films and modern experimental films, the characters, expressions, actions, language, environmental atmosphere and so on, are mostly close to the natural forms of real life. Therefore, film music is not as exaggerated and stylized as the pure instrumental music for concerts and opera music for stage performances; music is often combined with dialogue and natural sound effects. In silent movies, sometimes music is the only sound, from the beginning to the end of the whole film. Due to the progress of recording technology, in addition to music, it can also record language and natural sound effects, which relieves the phenomenon of music overload during the silent film period. Directors and composers use music properly and effectively only when performing lyricism and drama from the point of view of the real needs of the film. In this way, it not only accords with the art law of music, but also improves the aesthetic function of comprehensive art of film. This makes music really develop into an important organic part of the comprehensive art of film, and it can also promote the formation of the structure of the segmented statement of film music. Wang Jiawei's films and his film music have a strong literary and artistic color, such as "in the mood for Love" violin background music, plus Zhang Manyu dressed in a variety of cheongsam or static or walking elegant picture, literary and artistic atmosphere. The film < 2046 > episode < 2046Main Theme > and < Siboney > played the same melody with different instruments such as violin and percussion. How to perfect the combination of film and music, Wang Jiawei's unique literary and artistic film music may give us some enlightenment.
【学位授予单位】:河北大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J617.6
【参考文献】
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4 李俊梅;电影音乐三题[J];现代传播;2003年03期
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