论英模电影中的农民形象

发布时间：2018-05-08 09:14

  本文选题：英模电影 + 农民　； 参考：《电影文学》2016年24期

【摘要】：本文以韦伯"卡理斯玛"理论介入英模题材电影,分析具有时代意义的三部电影中的农民形象,《焦裕禄》中的农民是被动者、被救助的一方;《孔繁森》体现了农民和官员在信仰与生命面前是平等的;《第一书记》中的农民有个性和强烈的时代特点。历史地看,英模电影对农民的刻画有越来越贴近农民实际、关注农民个体的趋势。英模电影中的农民及其他群众形象在当代影坛上虽然总体不鲜明,但在慢慢呈现写实和立体化趋势。
[Abstract]:In this paper, Weber's theory of "Carlisma" is used to get involved in English movie-themed films, and the images of peasants in three films of epoch significance are analyzed. The peasants in "Jiao Yulu" are passive. Kong Fansen embodies the equality of peasants and officials in the face of faith and life, and the peasants in the first Secretary have personality and strong characteristics of the times. Historically, the portrayal of peasants in English model films is more and more close to the reality of farmers and the trend of paying close attention to individual farmers. Although the images of peasants and other masses in English model films are not bright in the contemporary film world, they are showing realistic and three-dimensional trend.
【作者单位】： 云南师范大学;
【基金】：云南省哲学社会科学艺术科学规划项目“区域国际语境下云南题材影视创作研究(项目号:A2016 QND015)”阶段性成果
【分类号】：J905
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本文编号：1860817