宫崎骏动画电影“共生”意蕴解析

发布时间：2018-05-08 19:21

本文选题：宫崎骏 + 动画　；参考：《西南交通大学》2014年硕士论文

【摘要】：宫崎骏(Hayao Miyazaki)作为日本一位非常著名的动画导演,所创作出来的作品足以能够与迪士尼和梦工厂两大动画巨头比肩。他的动画电影虽然题材各不相同,却都把对生命的热爱、对自然的尊重、对生存的渴望以及人与自然之间的“共生”关系都融进作品中,给世界各国的影迷们留下了深刻的印象并得到了广泛的认同和高度的评价,备受业界和学术界关注。研究宫崎骏动画“共生”意蕴及其视听语言体系,能充实对宫崎骏动画研究的特征构建、丰富和细化动画视听语言的构成模式、解析当今社会的生态意识,更能给我国动画成长提出可供借鉴的动画创作规律和艺术特色。本文主要围绕宫崎骏环保三部曲：《风之谷》、《天空之城》、《幽灵公主》,并结合其余由宫崎骏导演、编剧并监督的作品《龙猫》、《魔女宅急便》、《红猪》、《千与千寻》、《哈尔的移动城堡》、《悬崖上的金鱼公主》等来进行探讨分析。以影视视听语言分析手法为主,对其进行了具体的镜头语言、色彩语言、声音语言等方面的分析。第一章绪论部分主要从研究背景和意义,国内外研究现状以及宫崎骏动画“共生”意蕴研究所涉及理论学科进行简要阐释。第二章是宫崎骏艺术创作的背景简介,包括其创作历程,影响其创作的文化背景以及对于“共生”意蕴的探索之道。第三章和第四章详细分析了宫崎骏动画的视听语言,包括镜头语言、色彩语言以及声音语言三个方面的解读,并详细解析了影片的分镜头以及每个镜头的画面建构,力图总结出宫崎骏动画在表现“共生”意蕴时镜头语言运用的规律和特色。第五章主要探索了宫崎骏动画在“共生”主题背后对人性的批判和反思。
[Abstract]:MiyazakiHayao Hayao Miyazaki, one of Japan's most famous animation directors, has produced enough to match Disney and DreamWorks animation giants. Although his animated films have different themes, they all incorporate love of life, respect for nature, yearning for survival and the "symbiotic" relationship between man and nature. The fans around the world have been impressed and widely recognized and highly appraised, which has attracted the attention of the industry and academia. Studying the meaning of "symbiosis" of MiyazakiHayao animation and its audio-visual language system can enrich the characteristic construction of MiyazakiHayao animation research, enrich and refine the composing mode of animation audio-visual language, and analyze the ecological consciousness of today's society. More can give our country animation growth can be used for reference animation creation law and artistic characteristics. This article revolves around MiyazakiHayao's environmental trilogy: Valley of the Wind, Sky City, Princess Ghost, and the rest directed by MiyazakiHayao. The works of screenwriter and supervisor, such as "the Dragon Cat", "the Warcraft House", "Red Pig", "thousands and thousand fathom >", "the moving Castle of Hal", "Princess goldfish on the Cliff", etc., are discussed and analyzed. This paper mainly analyzes the visual and audio language of film and television, and analyzes its lens language, color language, sound language and so on. The first chapter is about the background and significance of the research, the current research situation at home and abroad and the research on the implication of MiyazakiHayao animation "symbiosis". The second chapter is a brief introduction of MiyazakiHayao's artistic creation, including his creative process, the cultural background that influences his creation and the exploration of the meaning of "symbiosis". The third and fourth chapters analyze the Audio-visual language of MiyazakiHayao animation in detail, including the interpretation of lens language, color language and sound language, and analyze the sub-lens of the film and the picture construction of each lens in detail. This paper tries to sum up the law and characteristics of the use of lens language in the expression of symbiosis in MiyazakiHayao animation. The fifth chapter explores the criticism and reflection on human nature by MiyazakiHayao animation behind the theme of symbiosis.
【学位授予单位】：西南交通大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J954

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