文化批评视野下的姜文电影研究

发布时间：2018-05-11 19:39

本文选题：姜文 + 电影　；参考：《四川师范大学》2013年硕士论文

【摘要】：作为导演的姜文，从1995年《阳光灿烂的日子》一片开始，便向世人展现了其成熟的艺术手法和杰出的电影才华。其使用的叙事策略和电影手法也明显地区别于同时代的电影导演。姜文的导演经历与中国电影制度的改革几乎同时，处于不同时期的四部作品折射着不同时代电影业的发展与演进。独树一帜而影响深远，姜文凭借其四部作品已成功地确认了其作为导演的地位，实现了电影语言的创新和电影发展新模式的探索。本文将从姜文的四部电影导演作品着手，，解读其叙事策略、具体视听语言等，并尝试在文化批评的视野下分析其风格及其成因，以试图厘清姜文在中国大陆电影导演谱系中的位置及意义。
[Abstract]:As a director, Jiang Wen has shown his mature artistic skill and outstanding film talent since 1995. Its narrative strategy and film techniques are also obviously different from the contemporary film director. Jiang Wen's director experience and Chinese film system reform almost at the same time, four works in different periods reflect the development and evolution of the film industry in different times. Unique and far-reaching, Jiang Wen has successfully confirmed his status as a director with his four works, and realized the innovation of film language and the exploration of new mode of film development. This paper will begin with four films directed works by Jiang Wen, interpret its narrative strategy, concrete audio-visual language, and try to analyze its style and its cause of formation from the perspective of cultural criticism. In order to clarify the position and significance of Jiang Wen in the film director genealogy of mainland China.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

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