两部经典喜歌剧中罗西娜的形象塑造与比较

发布时间：2018-05-27 12:38

本文选题：罗西娜 + 形象塑造　；参考：《湖南师范大学》2013年硕士论文

【摘要】：西洋歌剧作为西方音乐文化中的重要组成部分,是世界音乐艺术的瑰宝,有着其他艺术形式无法比拟的独特魅力,经过了几个世纪的漫长发展,至今仍深受观众欢迎,许多充满魅力的经典歌剧人物形象给我们留下了深刻的印象。笔者从众多的歌剧作品中,精选出莫扎特的喜歌剧《费加罗的婚礼》与罗西尼的喜歌剧《塞维利亚理发师》中的同一人物罗西娜的形象塑造来进行研究,这两部歌剧是喜歌剧中最为经典的代表作品,它们之间恰好又因为共同的剧本来源存在一定的联系。莫扎特的《费加罗的婚礼》和罗西尼的《塞维利亚理发师》这两部喜歌剧的剧本分别取材于法国剧作家博马舍的“费加罗三部曲”即《塞维利亚理发师》、《费加罗的婚礼》、《有罪的母亲》的前两部。这使得两部歌剧之间存在很多方面的相似与可比之处,其中这两部歌剧中的女主人公罗西娜更是剧中的亮点,在两位伟大的作曲家笔下具有各自鲜明的音乐戏剧特色,罗西娜的形象塑造所揭示出来的歌剧主题和达到的人物形象高度是两部歌剧获得成功的关键。本文将从一度创作中剧作家与作曲家的角度,分析与比较罗西娜的戏剧形象、音乐形象,进而从二度创作中歌剧演员的角度,对不同歌剧演员的经典舞台版本进行分析与比较,来揭示罗西娜这一喜歌剧人物形象的戏剧性与音乐性以及舞台表演的实践性,阐释出两部喜歌剧作品中的同一人物罗西娜身上更多的联系与区别。目前国内关于歌剧人物形象塑造的理论著述与研究还远远落后于艺术实践,笔者将通过分析和比较两个罗西娜歌剧形象的塑造以期帮助歌剧演员更好的认识、演唱、塑造这一经典喜歌剧人物形象。
[Abstract]:As an important part of western music culture, Western opera is the treasure of the world music art. It has the unique charm that other artistic forms can't compare with. After a long period of development for several centuries, it is still popular with the audience. Many attractive classical opera people have left us a profound impression. Among the many opera works, Mozart's opera < the wedding of Figaro > with Rossini's opera < Seville barber > Rosina's image is studied. These operas are the most classical works in the opera, and they happen to be due to the common source of the script. The connection.
Mozart's "the wedding of Figaro" and the "Seville barber" of Rossini's two operas are derived from the French playwright's "the gargaro Trilogy", "the Seville barber," "the wedding of Figaro," the first two of the guilty mother. This makes a lot of similarities between the two operas. In comparison, the heroine of the two operas, Rosina, is the highlight of the play, and the two great composers have their own distinctive musical and dramatic features. The theme of the opera and the height of the figure in the image of Rosina are the key to the success of the two operas. In the angle of the dramatists and composers, we analyze and compare Rosina's dramatic image and musical image, and then analyze and compare the classical stage versions of different operas from the angle of the opera performers in two degrees, to reveal the dramatic and musicality of the character of Rosina's opera and the practice of the stage performance. It explains more connections and differences between the two characters in Rosina's comic opera.
At present, the theoretical writings and Research on the portrayal of the characters of the opera are far behind the art practice. The author will analyze and compare the images of the two Rosina operas in order to help the operas to know better, to sing and to shape the classic opera character.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

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