新中国体育电影发展历程、困境及其对策

发布时间：2018-06-02 19:05

本文选题：体育电影 + 制作模式　；参考：《江西师范大学》2015年硕士论文

【摘要】：体育电影是以体育精神为故事内核,故事情节基本围绕体育运动而设置的故事片。作为体育文化事业下的一个重要门类和一种不可或缺的类型电影,体育电影具有巨大的经济影响力和文化影响力,不仅能够促进整个电影业的繁荣,带动相关产业领域的发展,而且作为一种意识形态的有机载体,还代表了一个国家的体育形象、国族文化和体育文化理念。然而,体育电影在我国的发展却不容乐观,虽然总体产量尚丰,不乏经典之作,但在电影体制全面改革和商业化浪潮的背景下常常显得后力不足,步履蹒跚;与此同时,我国学界对新中国体育电影历史的研究,几近沉寂状态。反观西方体育电影,作为文化产业中的重要支柱,颇受理论界重视,成熟的电影生产发行体制与先进的电影理论研究相结合,贡献了一部又一部的艺术佳作。因此,通过对新中国体育电影发展历程的理论阐述与创作实践的总结,指出长久以来制约我国体育电影发展的各种弊端和因素,这对于当下我国体育电影创作生产和电影产业化的进一步发展,具有切实的理论指导意义。本研究运用文献法、访谈法、比较分析法、逻辑分析法,对新中国体育电影的发展历程得出了以下结论。第一,新中国体育电影发展历程可以划分为五个阶段。(1)“十七年”时期(1949年-1966年),该阶段电影具有革命品格和政治修辞,但是类型特点不明晰;(2)停滞期(1966年-1976年),体育电影发展完全停滞;(3)新时期(1977年-1990年),这一时期体育电影在改革开放的社会语境下,电影美学观念得到更新,在生命叙事上有了突破,产生了体育与电影的双重变革;(4)转型时期(1999年-2001年),体育在社会转型期的文化语境下继续发展,并将“主旋律”的电影策略一以贯之,作品中反映出了人文关怀的深化与反思;(5)多元时期(2001年-至今),中国体育电影的创作呈现多元走向、娱乐元素得到广泛运用,随着申奥成功,出现了所谓的奥运电影。第二,制约我国体育电影发展的主要因素有:(1)体育文化资源开发与艺术形式创新的缺失;(2)体育电影缺乏高水平的专业创作人才的参与;(3)影像中体育本体与体育精神的缺失;(4)体育电影创作人员体育涵养的缺乏;(5)体育电影作品民营资本注入少,过分依赖国家行政。针对目前我国体育电影发展的困境和制约因素,本文提出了如下发展对策:(1)借鉴好莱坞体育电影制作模式;(2)加快体育电影专门人才培养;(3)突破体育电影创作的陈旧思维;(4)加强体育电影的市场化运作;(5)加强体育电影的宣传与报道;(6)加强体育电影的国际交流;(7)加强体育文化传播。
[Abstract]:Sports film is a feature film with sports spirit as the core of the story and the story plot basically set around sports. As an important category of sports and culture and an indispensable type of film, sports film has great economic and cultural influence, which can not only promote the prosperity of the entire film industry, but also promote the development of related industries. And as an organic carrier of ideology, it also represents a country's sports image, national culture and sports culture concept. However, the development of sports film in our country is not optimistic. Although the overall production is still abundant, there are many classic works, but under the background of the overall reform of the film system and the wave of commercialization, the sports film often appears to be weak and stumbling; at the same time, The study on the history of sports films in China is almost silent. On the contrary, as an important pillar of the cultural industry, western sports films have been attached great importance to by the theorists. The mature film production and distribution system combined with the advanced film theory research has contributed one after another fine works of art. Therefore, by summarizing the theory and creative practice of the development of sports films in New China, the author points out the disadvantages and factors that have restricted the development of sports films in China for a long time. This is of practical theoretical significance for the further development of sports film production and film industrialization in China. This research uses the literature method, interview method, comparative analysis method and logic analysis method to draw the following conclusions on the development of sports film in New China. First, the development of sports films in New China can be divided into five stages: "seventeen years" (1949-1966), which is characterized by revolutionary character and political rhetoric. However, the characteristics of the types are unclear) the stagnation period (1966-1976, the development of sports films is completely stagnant) the new period (1977-1990), the sports films in the social context of reform and opening up, the concept of film aesthetics has been updated. There is a breakthrough in the narrative of life, resulting in a double transformation of sports and movies. (1999-2001, sports continued to develop in the cultural context of the social transition period, and the "theme" of the film strategy is consistent. The works reflect the deepening and introspection of humanistic solicitude (2001-till now, the creation of Chinese sports films presents a pluralistic trend, the entertainment element is widely used, with the success of Olympic bid, the so-called Olympic movies have emerged. Second, The main factors that restrict the development of sports film in China are: 1) the lack of sports cultural resources development and artistic form innovation 2) the lack of high level of professional creative talents in sports film; 3) the lack of sports ontology and sports spirit in the image 4) the lack of sports preservation on the part of sports film creators 5) the private capital injection of sports film works is less, Excessive reliance on state administration. Aiming at the predicament and restriction factors of sports film development in our country at present, This paper puts forward the following development countermeasures: 1) drawing lessons from Hollywood sports film production model (2) speeding up the training of sports film professionals (3) breaking through the old thinking of sports film creation 4) strengthening the market-oriented operation of sports film 5) strengthening sports (6) strengthening the international exchange of sports films and strengthening the spread of sports culture.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J905

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