恐怖电影中的爱情思想

发布时间：2018-06-08 13:28

本文选题：恐怖电影 + 爱情　；参考：《上海戏剧学院》2013年硕士论文

【摘要】：恐怖电影诞生在电影发明的早期，作为电影艺术中最具有创造力、最刺激和最深刻的电影传统之一。恐怖片至今仍受欢迎，它的长盛不衰让电影学者寻找文化上的解释。本论文以恐怖电影中的爱情思想为主题，透过这一电影现象，重点阐释电影内涵和文化之间的关系。从视觉文化角度追溯恐怖电影的缘起，，以及它在现当代艺术恐怖美学范畴中的主要研究现状，作为一种艺术恐怖想象，以写实的虚构，再现关于爱情与死亡的文化主题，并以此见证在不同文化之间所具有的惊人相似性。通过现象学上的艺术恐怖电影案例分析，即恐怖电影里面建构起来的爱情文本和所起的作用来理解诸如身体理论、精神分析、消费主义等后现代理论概念，阐释这类电影如何在文化语境和背景里运作，其动因是它们如何相互作用，彼此影响。
[Abstract]:Horror film was born in the early days of film invention, as one of the most creative, exciting and profound film traditions in film art. Horror films are still popular, and their enduring prosperity makes film scholars look for cultural explanations. This paper focuses on the relationship between film connotation and culture through the theme of love thought in horror films. From the angle of visual culture, this paper traces the origin of horror film and its main research status in the realm of contemporary art terror aesthetics. As a kind of artistic horror imagination, it reproduces the cultural theme of love and death with realistic fiction. And through the phenomenological case study of art horror films, that is, the love texts constructed in horror films and their roles, we can understand such as body theory, psychoanalysis, The concept of postmodern theory, such as consumerism, explains how such films operate in the context and context of culture, and the motivation is how they interact and influence each other.
【学位授予单位】：上海戏剧学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

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