王好为的电影世界

发布时间：2018-06-08 19:54

本文选题：王好为 + 轻喜剧　；参考：《西南大学》2014年硕士论文

【摘要】：在多年以来的电影学术领域中,关于“第四代”导演的讨论,始终是相对沉寂的。一边是研究前三代的老前辈,另一边是对“第五代”以及后来新秀的关注,双极之间,留下了一洼谷地。事实上,“第四代”导演群体所作出的贡献是不可磨灭的,尤其是女性导演。她们和众多男性导演并肩而立,自觉的将特定年代的价值观和个人艺术体验相结合,以女性独特的视角拍摄出了一大批表现时代精神风貌的主流影片。在“第四代”女性导演中,与几位总能引发“轰动效应”的代表性人物不同,王好为是一个很特别的人,她始终以一种不随俗,不媚俗,不矫饰的姿态保持着自己一贯的特色。环顾“第四代”导演群体,坚持社会批判思潮的“探索者”和致力于将电影商业化的“娱乐人”均不乏其数,而王好为则在最大程度上体现了对传统的认同,她是罕见的“经典派”。本文以王好为独立执导的电影作品作为研究对象,梳理出轻喜剧、抒情正剧和散文电影这三个系列,对其进行细致的解读,力求发现导演在创作过程中的“变”与“不变”。本文总共分为三个部分。第一部分主要论述王好为的轻喜剧电影,以《瞧这一家子》为例,从时代背景、喜剧手法的运用、演员的重要性、缺憾与不足这四个方面来分析导演对喜剧创作的探索。第二部分从抒情正剧系列中提炼出随着时代和导演自身价值观的变化,其作品中的女主人公逐渐从明确走向朦胧这一现象。第三部分是本文的重点,选取了《夕照街》、《失信的村庄》和《哦,香雪》作为文本,详细分析了王好为将电影散文化的过程中所运用的手法。
[Abstract]:In the field of film science for many years, the discussion about the fourth generation directors has been relatively quiet. On the one hand is the study of the older generation of the first three generations, and on the other is the concern for the "fifth generation" and later rookie, leaving a valley between the two poles. In fact, the contributions made by the "fourth generation" group of directors are indelible. Especially female directors. They stand side by side with many male directors, consciously combining the values of a particular era with their personal artistic experience, A large number of mainstream films showing the spirit of the times have been shot from a unique female perspective. In the fourth generation of female directors, unlike several representative characters who always cause "sensational effects," Wang Haowei is a very special person. She has always maintained her own characteristics in a manner of not following the vulgar, not kitsch, and not pretentious. Looking around the "fourth generation" of directors, "explorers" who insist on social critical thoughts and "entertainers" who are committed to commercializing films are numerous, and Wang Haoyi embodies to the greatest extent his recognition of tradition. She is a rare "classic school". This article, taking Wang Hao`s independent film works as the research object, combs out the three series of light comedy, lyric drama and prose film, and interprets them in detail. This article is divided into three parts. The first part mainly discusses Wang Haowei's light comedy film, taking "look at this family" as an example, analyzes the director's exploration of comedy creation from four aspects: the background of the times, the use of comedy techniques, the importance of actors, the imperfections and deficiencies. In the second part, with the change of the times and the director's own values, the heroine in her works gradually changes from clear to hazy. The third part is the focus of this paper, selected "Sunshine Street", "broken Village" and "Oh, Xue" as the text, detailed analysis of Wang Haowei will film prose in the process of the use of techniques.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

【参考文献】