伽达默尔解释学与《第七封

发布时间：2018-06-18 01:19

本文选题：伽达默尔 + 伯格曼　；参考：《首都师范大学》2013年硕士论文

【摘要】：在艺术作品中,伽达默尔所关注的不仅仅是审美的快感和体验,最主要的是关于人类世界里的整体经验。他将艺术作品的存在形式与游戏相提并论,指出艺术作品的意义是通过作品本身衍化而生,从而达到观者和作品交融而存的全新的统一体,而艺术作品中所呈现我们对真理的经验则彰显了真理的普遍性。在伽达默尔的学说中,对于艺术作品的理解第一次在真正意义上成为了哲学问题,并且在此基础上,哲学问题与艺术审美在某种形式上融为一体。而在各种艺术形式当中,占有重要地位的电影艺术作为一种以声音及画面为传播媒介的艺术形式,其同时兼并着时间艺术及空间艺术的性质。电影艺术通过时间及空间的变换来塑造银幕形象,通过时间及空间的组合借助观众的视觉及听觉来反应体现生活和思想感情。德勒兹认为电影不是对外在真实的表现,而认为它是一种创造新的运动、时间组织方式的本体论实践。本文将以英格玛·伯格曼的代表作《第七封印》为切入点,本文试图以伽达默尔的《真理与方法》作为基础,由对影片的分析、电影语言的分析上升为对电影本体论的研究。对伽达默尔的解释学研究在国内外比较成熟,但运用解释学对影片的分析还不够全面。本文的意义在于找出伽达默尔和伯格曼在哲学层面的共同点,把影片分析提升到另一个层面。
[Abstract]:In the works of art, Gadamer focuses not only on aesthetic pleasure and experience, but also on the whole experience in the human world. He compared the forms of existence of works of art to games, and pointed out that the meaning of works of art was derived from the works themselves, thus achieving a new unity between the viewer and the works. Our experience of truth in works of art shows the universality of truth. In Gadamer's theory, the understanding of art works became a philosophical problem for the first time in a true sense, and on this basis, philosophical problems and artistic aesthetics were integrated in some form. Among all kinds of art forms, the film art, which occupies an important position as an art form with sound and picture as the medium of communication, merges the nature of time art and space art at the same time. Film art portrays the screen image through the transformation of time and space. Through the combination of time and space, it reflects life and thoughts and feelings with the help of the audience's vision and hearing. Deleuze thinks that the film is not an expression of the external reality, but an ontological practice of creating a new movement, time organization. This paper will take Ingmar Bergman's masterpiece, the Seventh Seal, as the starting point, and try to use Gadamer's Truth and method as the basis, from the analysis of the film and the analysis of the film language to the study of the film ontology. The hermeneutics of Gadamer is mature at home and abroad, but the analysis of the film by hermeneutics is not comprehensive enough. The purpose of this paper is to find out what Gadamer and Bergman have in common in philosophy and to elevate film analysis to another level.
【学位授予单位】：首都师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905;B516.59

【共引文献】