李玉电影研究

发布时间：2018-06-18 18:20

本文选题：李玉电影 + 主题诉求　；参考：《湖南大学》2014年硕士论文

【摘要】：李玉作为一个年轻导演，虽然目前只有五部电影作品问世，但是在国外各大电影节的频频获奖使得李玉在国内备受关注。李玉的电影具有强烈的艺术风格，从中不仅可以感受到先锋的视听审美，，同时也能感受到或暴烈或温柔的思想撞击与心灵抚慰。而目前关于李玉及其电影作品的相关研究较少，多着重于对李玉单部影片的分析。本论文试图对李玉导演的电影作品进行系统性、整体性的分析与论述，聚焦其电影主题的表达及艺术表达方式的运用，以期来寻绎李玉电影作品的独特标签。这也是本论文研究的主要目的与意义所在。本论文主要分五章论述李玉及其电影。首先简要概述李玉成长经历及其电影创作主张，结合历年相关研究论文，指出本论文的研究意义与创新点所在。进而对李玉电影的创作语境做一个考察。将李玉置于代际谱系与女性电影两个坐标之中进行考察，揭示其在中国导演群中的意义和地位。第三、四章从内容与形式两个方面对李玉电影作品进行了具体分析。李玉电影的主题诉求主要集中于对女性议题的表达与建构、人本主题内核的坚守与文化与哲学立场上的人生探询三个方面，形式方面则主要探讨其所采用的表现手法，这涉及到对叙事视角、叙事手法、镜头语言、音乐风格、象征性意象的考察。表现手法是对主题内容的承接，也是最能展现李玉电影独特美学的部分。最后，从创作缺失与创作贡献两个方面对李玉电影进行合理的评价。既分析了其在电影类型与商业探索上的成功，也从叙事逻辑、女性观念两方面指出其存在的不足。作为一位非科班出身的导演，李玉能够始终坚持通过镜像表达现实关怀和理性思考，同时在艺术创新上也能保持探索积极性，是非常可贵的。因此，对李玉作品进行整体性研究，既可以加深对其电影的认识，也能为后续的探讨提供一定的借鉴。
[Abstract]:Li Yu as a young director, although only five films are available, but in the foreign major film festivals, the frequent award of Li Yu in the domestic attention. Li Yu's film has a strong artistic style, from which not only can feel the avant-garde audiovisual aesthetic, but also can feel the violent or gentle thought impact and soul comfort. At present, there are few researches on Li Yu and his films, which focus on the analysis of Li Yu's single film. This paper attempts to systematically analyze and discuss the film works of Li Yu, focusing on the expression of his film theme and the application of artistic expression, in order to find out the unique label of Li Yu's film works. This is also the main purpose and significance of this paper. This thesis is divided into five chapters to discuss Li Yu and his films. First of all, it briefly summarizes Li Yu's growing up experience and his idea of film creation, and points out the significance and innovation of this thesis. And then to Li Yu film creation context to do an investigation. Li Yu is studied in the coordinates of intergenerational genealogy and female film to reveal its significance and position in Chinese directors. The third and fourth chapters analyze Li Yu's film works from two aspects: content and form. The theme of Li Yu's films mainly focuses on the expression and construction of women's issues, the adherence to the core of the human theme and the exploration of life from the standpoint of culture and philosophy, while the formal aspect mainly discusses the methods of expression adopted by Li Yu. This involves the investigation of narrative perspective, narrative technique, lens language, musical style and symbolic image. The expression technique is the undertaking to the theme content, is also can display the Li Yu movie unique esthetics most part. Finally, the author evaluates Li Yu's films from two aspects: creation deficiency and creative contribution. It not only analyzes its success in film type and commercial exploration, but also points out its shortcomings from two aspects: narrative logic and female concept. As a non-scientific director, it is very valuable that Li Yu can always express realistic concern and rational thinking through mirror image, and at the same time keep exploring enthusiasm in artistic innovation. Therefore, the overall study of Li Yu's works can not only deepen the understanding of his films, but also provide some reference for further discussion.
【学位授予单位】：湖南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

【参考文献】