重庆都市电影中的城市想象与书写

发布时间：2018-08-02 10:12

【摘要】：“都市电影，是以城市区域的文化地理为影像语境、以其中异质性居民的日常生活和工作内容为拍摄题材的电影类型。”城市和电影都是工业革命后的产物，他们之间为彼此的发展提供了元素。随着我国的城市化进程的加快，城市的经济和文化得到了极大的发展。这也促使城市电影的题材愈加广泛，得到的进步越来越大。北京和上海，作为我国无可替代的政治、经济和文化中心最受中国电影人的喜爱和重视。而重庆，这座具有“山城”、“雾都”以及革命历史名城称号的西部崛起大都市，也日渐受到中国电影导演的青睐。它独特的地理风貌和别具一格的人文气息，为电影题材的选取以及影片风格的体现提供了新的视野。随着以重庆作为电影故事叙述发生地的电影作品越来越多，电影中的重庆影像也越来越受到人们的关注。因此，对都市电影中的重庆影像进行美学分析和研究，也就具有了重要的现实意义。本文选取了《生活秀》(2002，霍建起)、《双食记》(2005，赵天宇)、《疯狂的石头》(2006，宁浩)、《好奇害死猫》(2006，张一白)、《门》(2007，李少红)、《秘岸》(2008，张一白)、《日照重庆》(2010，王小帅)这七部以重庆城为电影拍摄地的电影作品为主要的影像文本，从电影影像中仔细分析重庆都市的城市空间和都市人产生的联系，从而来探究电影中所塑造出的重庆都市想象以及书写出的城市人的情感。影像中的重庆，虽然不能完全等同于现实中的重庆，但是，这些都市电影又确实能反映出一座城市的真实面貌和深藏在城市内部的精神本质，从这些方面来表现出对重庆的城市影像与其他都市影像之间的文化与内涵的差异。都市电影中的城市空间能最有效地表现出不同城市之间的电影所呈现出的地域差别性。因此，本文第一部分首先把电影里的城市空间分为了三个主要方面：街道和在里面游走的人、交通工具延伸出的城市空间、回家穿越城市的路途。以期来探讨重庆城呈现出来的立体城市空间与人们身处在这些空间里所发生的关联。本文第二部分通过介绍了重庆这座城市和电影的渊源来描述出现实的重庆与光影里的重庆。本文第三部分从具体的影片文本入手，分析了电影里的重庆城市空间所表现出来的都市想象与书写出来的情感内涵。重庆以山城闻名，得天独厚的地理地貌，让城市空间呈现出多样的落差视角。而两江相伴又让这座城市常常会起雾，“雾都”所提供朦胧潮湿的特殊氛围，，也为电影影像提供了丰富变幻的城市景观与独特的城市标识。由汽车、过江索道、轻轨等主要现代化交通工具所构成的空间区域，延伸和拓展了城市空间的深广度，为影片的叙事提供了多样化的场景。城市空间是人们日常生活的载体，它不仅仅表现出都市的繁华与喧嚣，更能够深层次地构建起一个个在都市里发生的故事，这些故事又影响和丰富着现代都市人的审美记忆和文化结构。本文对关于重庆都市电影里的城市影像进行了深入分析与理性的梳理，期望能够凸显出与北京、上海等大城市的影像所不同的重庆都市特色。让更多的电影受众能够在重庆都市电影影像中体会到不一样的城市风格和文化意蕴。
[Abstract]:"Urban film is a movie type which takes the cultural geography of the urban area as the image context, with the daily life and work content of the heterogeneous residents as the film type." cities and films are the products of the industrial revolution. They provide elements for each other's development. With the acceleration of the Urbanization process in China, the city's Classics Beijing and Shanghai, as China's irreplaceable political, economic and cultural center, are most popular and valued by Chinese filmmakers. And Chongqing, which has the title of "mountain city", "fog capital" and the title of revolutionary history city. The rising metropolis of the west is becoming more and more popular with Chinese film directors. Its unique geographical features and unique humanistic atmosphere provide a new vision for the selection of film themes and the embodiment of the film style. With the more and more electric works in Chongqing as a movie story, the Chongqing image in the film is also More and more attention has been paid to it. Therefore, it is of great practical significance to analyze and study the aesthetics of Chongqing images in urban films.
This article selects "live show > (2002, Huo Jianqi)," double food "(2005, Zhao Tianyu)," Crazy Stone > "(2006, Hao Ning)," curiosity killing cat > "(2006, Zhang Yibai), < (2007, Li Shaohong), < 2007, Li Shaohong), < (2008, Zhang Yibai)," sunshine Chongqing > "(2010, Wang Xiaoshuai)) and seven films from Chongqing city as the main image text, from electricity, from electricity The shadow images carefully analyze the urban space in Chongqing and the connection between the urban people, so as to explore the Chongqing City imagination and the feelings of the city people in the film. The Chongqing in the image can not be completely equivalent to the reality of Chongqing, but these urban films do reflect a city. The true features and the spiritual essence of the inner city are reflected in the differences between the cultural and the connotations of the city images and other urban images in Chongqing.
Urban space in urban movies can most effectively show the regional differences in the film between different cities. Therefore, the first part of this article first divides the urban space in the film into three main aspects: the street and the people walking in it, the urban space extended by the transportation, and the way home through the city. In the second part, the second part of this paper describes the reality of Chongqing and the light and shadow of Chongqing by introducing the origin of the city and film in Chongqing. The third part of this article begins with the specific film text, and analyzes the weight of the film. Chongqing is famous for the city's imagination and writing. It is famous for the mountain city, the unique geographical features and the diversity of the urban space. The city is often fogged by the two rivers. The "fog capital" provides a hazy and humid atmosphere, which also provides the film image. Rich and changeable urban landscape and unique city logo. The space area, which consists of automobile, cross river ropeway, light rail and other main modern means of transportation, extends and expands the depth of the city space, providing a variety of scenes for the narrative of the film.
Urban space is the carrier of people's daily life. It not only shows the bustling and bustle of the city, but also can build stories that occur in the city deeply. These stories affect and enrich the aesthetic memory and cultural structure of modern urbanites. This article is deeply concerned with the city images in Chongqing's urban films. In the analysis and rational combing, it is expected to highlight the characteristics of Chongqing city different from the images of Beijing, Shanghai and other big cities, so that more movie audiences can realize different urban style and cultural implication in the image of Chongqing urban film.
【学位授予单位】：重庆工商大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

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