徐克非武侠电影类型研究

发布时间：2018-09-01 12:31

【摘要】：徐克在武侠电影方面取得了非常大的成功,武侠电影已然成为徐克电影的代名词。但是与此同时,徐克一直没有放弃非武侠电影的拍摄。在他执导或联合执导的电影中,非武侠电影的数量十分可观,并且不只集中于某一阶段。徐克的非武侠电影可以根据其电影活动分为三种类型。首先是恐怖惊悚片的大胆创新:早期的“新浪潮”三部曲中,就有两部是对恐怖电影的尝试,之后《深海寻人》也属于这种类型。他的恐怖电影摒弃了以往恐怖片中用鬼怪来表现恐怖氛围的手法,改用了描述人心的阴暗与残忍,大胆地采用悲剧作为结局,并且在继承传统恐怖片“封闭空间”的运用的基础上,加入了当时香港孤岛境遇的影射,对香港传统恐怖电影进行了大胆的创新。其次是轻松娱乐化的喜剧片多维探索:在喜剧电影中,人物角色的数量增加,由以往的“单星型”设置转变为了“卫星型”甚至“多星型”,电影的表现内容更加多元化;并且大量运用了丑角,塑造了一批典型的小人物形象。最后是暴力美学的另类尝试:虽然武侠电影中已经有暴力美学的呈现,但是徐克仍然通过一系列的警匪片,在暴力美学方面进行了新的尝试。他改变了以往快节奏的叙事风格和镜头剪辑,开始有意识地运用较多慢镜头。在影片中,导演模糊了以往界线明显的二元对立,尝试挖掘更深层次的人性,甚至一改他武侠世界中的儿女情长,转而去表现男人之间的豪气干云。虽然获得的反响不是很大,但是也是徐克的新尝试。非武侠电影构成徐克创作的重要组成部分,在武侠电影领域已经取得耀眼成绩的同时,徐克一直坚持“两条腿”并行,这足以说明,非武侠电影有着其在武侠电影中无法深化或是无法传达的内容。在一定程度上,非武侠电影是全面、深入了解徐克电影现象复杂性、丰富性的重要途径。
[Abstract]:Hark has achieved great success in martial arts movies, and martial arts movies have become synonymous with them. But at the same time, Tsui has not given up the shooting of non-martial arts movies. The number of non-martial arts films he directed or co-directed was considerable, and was not concentrated at a given stage. Hark's non-martial arts films can be divided into three types according to their film activities. The first is the bold innovation of horror thrillers: two of the early "New Wave" trilogy were attempts at horror movies, followed by Deepwater search. His horror films abandoned the past horror films in the use of ghosts to express the atmosphere of terror, to describe the dark and cruel people, bold use of tragedy as the end. And on the basis of inheriting the application of the traditional horror film "closed Space", it adds the insinuation of the isolated island situation of Hong Kong at that time, and makes a bold innovation on the Hong Kong traditional horror film. Secondly, it is the multi-dimensional exploration of easy entertainment comedy: in the comedy film, the number of characters increases, from the "single star" to "satellite" or even "multi-star", the performance of the film is more diversified; And the use of a large number of clowns, created a group of typical image of small people. Finally, there is an alternative attempt of the aesthetics of violence: although there has been the appearance of the aesthetics of violence in the martial arts movies, Hark still makes a new attempt on the aesthetics of violence through a series of police and bandit films. He changed his fast-paced narrative style and shot clips to consciously use more slow-motion footage. In the film, the director obscures the obvious duality between the former boundaries, tries to dig deeper human nature, and even changes his chivalrous world's love for children and daughters, and instead expresses the man's heroic spirit. Although the response was not very great, but also a new attempt by Tsui Tsui. Non-martial arts films constitute an important part of Hark's creation. While he has made dazzling achievements in the field of martial arts films, he has always insisted on "two legs" in parallel, which is enough to show that, The non-martial arts film has its content which can not be deepened or conveyed in the martial arts film. To a certain extent, non-martial arts movies are an important way to understand the complexity and richness of Hark movies.
【学位授予单位】：湖南科技大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J911

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