论后现代主义电影空间的多元性
发布时间：2018-09-01 16:39
【摘要】：1998年,一部《罗拉快跑》引起了整个世界影坛的巨大反响,让“后现代主义”这个词汇一度成为学者的热点研究对象。但是,至今为止,国内外大部分关于后现代主义电影的研究主要集中在文本叙事解读,很少有人从电影空间这一角度对后现代主义进行解剖。本文作者在大量收集了带有后现代主义风格的电影影像资料和相关理论背景的基础上,针对后现代主义电影空间做了专门研究。 论文从电影空间的造型和空间叙事两方面探讨后现代主义电影空间“多元性”的特点。论文详细分析了后现代主义电影空间中多元性的运用方式和价值体现,同时也探讨了多元性对后现代主义电影空间的整体影响。 作者认为多元性是后现代主义电影空间的重要特征。多元性体现了后现代主义主要特点,即打破了传统意义上对电影空间一贯的处理手法,表现出无深度、无根据、无中心甚至是游戏的特点。
[Abstract]:In 1998, a film called "Lola run" caused a great reaction in the whole world, which made the term "postmodernism" a hot topic for scholars. However, up to now, most of the studies on postmodernism films at home and abroad mainly focus on the interpretation of text narration, and few people dissect postmodernism from the angle of film space. On the basis of collecting a large number of film images with postmodernism style and related theoretical background, the author makes a special study on postmodernism film space. This paper discusses the characteristics of postmodernism film space from the aspects of film space modeling and space narration. This paper analyzes in detail the application and value of pluralism in postmodernism film space, and also discusses the overall influence of pluralism on postmodernism film space. The author thinks that pluralism is an important feature of postmodernism film space. Pluralism embodies the main characteristics of postmodernism, that is, it breaks the consistent treatment of film space in the traditional sense, and shows the characteristics of no depth, no basis, no center or even game.
【学位授予单位】：上海戏剧学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J909.8
本文编号：2217763
[Abstract]:In 1998, a film called "Lola run" caused a great reaction in the whole world, which made the term "postmodernism" a hot topic for scholars. However, up to now, most of the studies on postmodernism films at home and abroad mainly focus on the interpretation of text narration, and few people dissect postmodernism from the angle of film space. On the basis of collecting a large number of film images with postmodernism style and related theoretical background, the author makes a special study on postmodernism film space. This paper discusses the characteristics of postmodernism film space from the aspects of film space modeling and space narration. This paper analyzes in detail the application and value of pluralism in postmodernism film space, and also discusses the overall influence of pluralism on postmodernism film space. The author thinks that pluralism is an important feature of postmodernism film space. Pluralism embodies the main characteristics of postmodernism, that is, it breaks the consistent treatment of film space in the traditional sense, and shows the characteristics of no depth, no basis, no center or even game.
【学位授予单位】：上海戏剧学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J909.8
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