艺术史方法下的电影与中国画
发布时间：2018-09-01 19:11
【摘要】：近年来,中国电影出现国画形式复兴以及相关理论严重匮乏的局面。面对此一问题,如何以艺术史为方法论,将电影置于中国视觉经验传统中,考察它与中国画的媒介关联,是需要重新思考的重大课题。西方艺术史的媒介考古学理路,对于找出电影与西方绘画在仪器观看传统上的媒介亲缘性,具有学术史的方法论意义。就中国画而言,无几何比例和去光影性两方面,都表明中国画的非透视法具有反仪器的观看传统。由此出发,通过中国绘画中的"游观"传统与"镜游"理论,从手卷和立轴两种媒材形制出发,或许是探讨电影与中国画在时间性、空间布局、目光移动上的可继承性的有效路径。
[Abstract]:In recent years, there is a revival of Chinese painting form and a serious lack of relevant theories. Facing this problem, how to put the film in the tradition of Chinese visual experience with the methodology of art history and examine its connection with the media of Chinese painting is an important subject that needs to be reconsidered. The media archaeology of western art history has the methodological significance of academic history to find out the relationship between film and western painting in the traditional instrumentation viewing media. As far as Chinese painting is concerned, the non-perspective method of Chinese painting has the tradition of anti-instrument viewing. From this point of view, through the "tour view" tradition and the "mirror tour" theory in Chinese painting, starting from the shape of hand roll and vertical axis, it may be to discuss the temporal and spatial distribution of film and Chinese painting. The effective path of inheritance on eye movement.
【作者单位】： 华东师范大学传播学院;
【基金】：上海浦江人才计划资助项目“新世纪华语电影对中国视觉传统的继承与发展”(批准号:16PJC027)成果
【分类号】：J905
本文编号：2218090
[Abstract]:In recent years, there is a revival of Chinese painting form and a serious lack of relevant theories. Facing this problem, how to put the film in the tradition of Chinese visual experience with the methodology of art history and examine its connection with the media of Chinese painting is an important subject that needs to be reconsidered. The media archaeology of western art history has the methodological significance of academic history to find out the relationship between film and western painting in the traditional instrumentation viewing media. As far as Chinese painting is concerned, the non-perspective method of Chinese painting has the tradition of anti-instrument viewing. From this point of view, through the "tour view" tradition and the "mirror tour" theory in Chinese painting, starting from the shape of hand roll and vertical axis, it may be to discuss the temporal and spatial distribution of film and Chinese painting. The effective path of inheritance on eye movement.
【作者单位】： 华东师范大学传播学院;
【基金】：上海浦江人才计划资助项目“新世纪华语电影对中国视觉传统的继承与发展”(批准号:16PJC027)成果
【分类号】：J905
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1 李春艳;;浅析西方绘画表现形式对电影艺术的重要影响[J];电影文学;2012年22期
，本文编号：2218090
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