中国电视情景喜剧叙事手法的流变
发布时间：2018-09-10 13:53
【摘要】：电视情景喜剧作为舶来品，在我国经过二十年的本土化发展，已经具有了独特的创作模式与创作方式。从1993年的《我爱我家》到2014年的《爱情公寓4》，我们不难看出我国情景喜剧创作从最初的萌芽在一步一步地走向成熟，也逐渐成为了观众喜闻乐见的一种电视剧类型。虽然，情景喜剧落户我国较晚，但是发展速度并不缓慢，创作方式也在不断创新，特别是在叙事手法方面，已经独具特色。本文主要从叙事学角度对一些优秀国产情景喜剧进行分析，来探讨我国情景喜剧叙事手法的流变之因和流变的体现，以期可以为中国情景喜剧今后的创作提供理论基础，并能够为情景喜剧理论研究开辟新的思路和新的视角。 本文主体部分总共分为四部分： 第一部分主要介绍情景喜剧的概念、特征，以及梳理我国电视情景喜剧的发展历程。 第二部分首先理清情景喜剧与叙事的关系，阐明叙事之于情景喜剧的重要性，从而得出我国情景喜剧叙事手法的流变之因。本文认为我国情景喜剧叙事手法发生流变的原因主要有两点：一个是在大众文化日益影响下，受众审美需求不断发生变化；二是创作者不断革新创作观，，叙事手法更加多样化、成熟化。 第三部分将以各时期的国产优秀情景喜剧为实例，在叙事文本、叙事结构、叙事空间、叙事风格等方面，来探讨我国情景喜剧叙事手法的流变。 第四部分探讨我国情景喜剧叙事手法在不断借鉴、创新发展中得与失。本文认为创新的叙事手法在增强喜剧效果、丰富叙事情节等方面取得了较好的效果，但是与此同时，这种创新对传统的喜剧精髓没有很好的得以继承与发展，这又是我国情景喜剧在今后的创作中应当深思的。
[Abstract]:TV sitcom, as an import, has had a unique creation mode and creative way after 20 years of localization development in our country. From "I love my house" in 1993 to "Love apartment 4" in 2014, it is not difficult to see that the creation of sitcom in China has gradually become a kind of TV series that audiences like to see and mature step by step from the initial germination. Although sitcoms came to our country late, the speed of development is not slow, and the creative methods are innovating constantly, especially in the narrative techniques, which have been unique. This paper mainly analyzes some outstanding domestic sitcoms from the perspective of narratology, and discusses the causes and manifestations of the changes in the narrative techniques of Chinese sitcoms in order to provide a theoretical basis for the future creation of Chinese sitcoms. And it can open a new way of thinking and a new angle of view for the theoretical study of sitcom. The main body of this paper is divided into four parts: the first part mainly introduces the concept of sitcom, characteristics, and combing the development of TV sitcoms in China. The second part firstly clarifies the relationship between sitcom and narration, clarifies the importance of narrative to sitcom, and draws the reason of the change of narrative technique in Chinese sitcom. This paper holds that there are two main reasons for the change of narrative techniques in sitcom in China: one is that the aesthetic needs of the audience are constantly changing under the influence of popular culture, the other is that the creators are constantly innovating their creative ideas, and the narrative techniques are more diversified. Mature. The third part will take the domestic excellent sitcoms of each period as an example, in the narrative text, the narrative structure, the narrative space, the narrative style and so on, will discuss our country situation comedy narrative technique evolution. The fourth part discusses the situation comedy narrative techniques in our country in the continuous reference, innovation and development of gain and loss. This paper holds that the innovative narrative techniques have achieved better results in enhancing the comedy effect and enriching the narrative plot, but at the same time, this innovation has not been well inherited and developed to the essence of the traditional comedy. This is our country sitcom in the future creation should ponder.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
本文编号：2234632
[Abstract]:TV sitcom, as an import, has had a unique creation mode and creative way after 20 years of localization development in our country. From "I love my house" in 1993 to "Love apartment 4" in 2014, it is not difficult to see that the creation of sitcom in China has gradually become a kind of TV series that audiences like to see and mature step by step from the initial germination. Although sitcoms came to our country late, the speed of development is not slow, and the creative methods are innovating constantly, especially in the narrative techniques, which have been unique. This paper mainly analyzes some outstanding domestic sitcoms from the perspective of narratology, and discusses the causes and manifestations of the changes in the narrative techniques of Chinese sitcoms in order to provide a theoretical basis for the future creation of Chinese sitcoms. And it can open a new way of thinking and a new angle of view for the theoretical study of sitcom. The main body of this paper is divided into four parts: the first part mainly introduces the concept of sitcom, characteristics, and combing the development of TV sitcoms in China. The second part firstly clarifies the relationship between sitcom and narration, clarifies the importance of narrative to sitcom, and draws the reason of the change of narrative technique in Chinese sitcom. This paper holds that there are two main reasons for the change of narrative techniques in sitcom in China: one is that the aesthetic needs of the audience are constantly changing under the influence of popular culture, the other is that the creators are constantly innovating their creative ideas, and the narrative techniques are more diversified. Mature. The third part will take the domestic excellent sitcoms of each period as an example, in the narrative text, the narrative structure, the narrative space, the narrative style and so on, will discuss our country situation comedy narrative technique evolution. The fourth part discusses the situation comedy narrative techniques in our country in the continuous reference, innovation and development of gain and loss. This paper holds that the innovative narrative techniques have achieved better results in enhancing the comedy effect and enriching the narrative plot, but at the same time, this innovation has not been well inherited and developed to the essence of the traditional comedy. This is our country sitcom in the future creation should ponder.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
【参考文献】
中国期刊全文数据库 前2条
1 陈莲;;情景喜剧的喜剧性与陌生化的运用[J];鸡西大学学报;2008年05期
2 张建珍;影像现实:媒介时代的情境喜剧[J];新闻与传播研究;2002年02期
本文编号：2234632
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