镜头运动的叙事职能

发布时间：2018-09-11 19:34

【摘要】：电影作为继建筑、音乐、绘画、雕塑、诗歌和舞蹈而产生的“第七艺术”,除了具有和其他艺术共享的表现形式之外,有其自身的独特性,其中最重要的就是视象的运动性。由于电影是在时间的延续中通过变换的画面完成叙事的,因而它的运动性既体现在画面内人与物的运动上,又通过摄影机的运动淋漓尽致的表现出来。本篇论文试图通过对镜头运动的历史生成、自身特性、叙事方式及叙事机制的论述,证明镜头运动在本体论层面上对电影叙事的决定性作用,以及镜头运动方式在叙述过程中对故事情节的根本性影响。本论文从电影本体角度出发,结合符号学及叙事学理论,以表明作为电影特殊符码的镜头运动,在其自身运动影像的“双重时间”特性中就已经蕴含了最终发展为外延与内涵的叙事表意的方面,并通过各种摄影要素的改变形成叙事方式的多样化；同时,确立由镜头运动形成的镜头序列在建构叙事本文时所起到的奠基性作用,以确证电影艺术的自律性,并获得对电影语言更加深刻的把握。
[Abstract]:As a "seventh art" following architecture, music, painting, sculpture, poetry and dance, film has its own uniqueness in addition to its forms of expression shared with other arts, the most important of which is the movement of visual images. Because the film is narrated through the changing picture in the extension of time, its motility is not only reflected in the movement of people and objects in the picture, but also displayed vividly through the motion of the camera. This paper attempts to prove the decisive role of lens motion on film narration on the ontological level by discussing the historical generation of lens motion, its own characteristics, narrative mode and narrative mechanism. And the fundamental influence of lens motion on the storyline in the narration process. Based on the theory of semiotics and narratology, this paper shows the motion of lens as a special code of film. In its "double time" characteristic of its own moving image, it has already contained the aspects of narrative ideas that ultimately develop into extension and connotation, and form a variety of narrative ways through the change of various photographic elements; at the same time, In order to confirm the self-discipline of film art and obtain a more profound grasp of film language, it is necessary to establish the basic function of lens sequence formed by lens motion in the construction of narrative text.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J931

【相似文献】