人文历史类纪录片中的虚拟影像研究

发布时间：2018-09-12 10:53

【摘要】：纪录片主要有纪实和虚构两种创作方法,依此纪录片的影像系统可以分为纪实影像和虚拟影像两类。近几年,虚构手法的多元化创作趋势使虚拟影像在纪录片中的地位得到了显著提升,从演员扮演的“真实再现”艺术手法创造的虚拟影像到完全依靠计算机数字特技生成的虚拟影像,纪录片的虚拟影像的应用也伴随了纪录片一百年的历史。本文以虚拟影像在纪录片中的应用为切入点,以近些年来我国优秀的人文历史类纪录片为参照,试图追溯虚拟影像在人文历史类纪录片中应用的背景因素、历史原因,并着重分析虚拟影像新的真实观、功能作用、应用形态和创作原则,最后在此基础上对未来人文历史类纪录片的虚拟影像应用做出展望和预想。本文的论述主要围绕以下六个方面：第一、阐述人文历史类纪录片的涵义和在我国的发展历程,虚拟影像的基本范畴和发展轨迹；第二、分析纪录片真实与虚拟影像的关系,并阐明虚拟影像所秉持的新的真实观；第三、从影像史学、新历史主义、影视媒介的角度分析人文历史类纪录片应用虚拟影像的背景因素,然后接着指出在其中的功能作用。第四、总结数字特技在人文历史类纪录片中的主要应用形态,及使用时应秉持的基本原则；第五、总结真实再现在人文历史类纪录片中的主要表现形式,及运用时应秉持的基本原则；第六、展望未来人文历史类纪录片中虚拟影像的发展趋势。虚拟影像的应用丰富了人文历史类纪录片的创作手法,使之呈现出多元化的创作趋势,同时使人文历史类纪录片呈现出前所未有的视觉奇观,增强了观众的审美愉悦,拓展了影像表现的历史时空,使叙事更加流畅,主题思想的表达更加完美。虽然现阶段对于纪录片虚拟影像的应用还存在某些质疑,但纪录片创作者只要守住真实的底线,秉持数字时代的新的真实观,虚拟影像在人文历史类纪录片中的应用就能够实现科技与人文的完美结合。
[Abstract]:There are two creative methods of documentary and fictional documentaries, according to which the documentary image system can be divided into documentary images and virtual images. In recent years, the trend of diversified creation of fictional techniques has greatly promoted the status of virtual images in documentaries. From the virtual images created by actors'"real reappearance" art techniques to the virtual images created by computer digital stunts, the application of documentary virtual images has been accompanied by the history of documentaries for one hundred years. Based on the application of virtual images in documentaries and the excellent documentaries of humanities and history in recent years, this paper tries to trace back the background factors and historical reasons of the application of virtual images in human history documentaries. It also analyzes the new reality view, function, applied form and creative principle of virtual image. Finally, the prospect and expectation of the application of virtual image in the future humanistic history documentary are made. This paper mainly focuses on the following six aspects: first, the meaning and development of humanistic and historical documentaries in China, the basic category and development track of virtual images; second, the analysis of the relationship between documentary reality and virtual images. Thirdly, the background factors of the application of virtual images in humanistic historical documentaries are analyzed from the perspectives of image history, new historicism and film and television media, and then the function of them is pointed out. Fourth, summarize the main application forms of digital stunts in the humanities and history documentaries, and the basic principles that should be adhered to when using them; fifth, summarize the main forms of expression of the true reappearance in the humanities and history documentaries. Sixth, the development trend of virtual images in humanities and history documentaries in the future is prospected. The application of virtual images enriches the creative techniques of the humanities and history documentaries, and makes them present a diversified creative trend. At the same time, the humanistic historical documentaries present unprecedented visual wonders and enhance the audience's aesthetic pleasure. It expands the historical space and time of image expression, makes the narration more smooth, and the expression of theme thought more perfect. Although there are still some doubts about the application of documentary virtual images at this stage, documentary creators only have to keep true bottom line and uphold the new concept of reality in the digital age. The application of virtual image in human history documentary can realize the perfect combination of science and technology and humanities.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J952

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