作者电影：阿尔莫多瓦电影研究
发布时间：2018-09-12 18:02
【摘要】：佩德罗·阿尔莫多瓦是国际知名的西班牙导演。从1980年推出的第一部长片《佩比、露西、邦及其他不起眼的姑娘》到2011年的《吾栖之肤》，31年的时间里他一共推出了18部电影。他的作品极具争议性，不论是在西班牙国内还是国际上都受到许多争论，但同时又斩获各项国际大奖，获得普遍好评。 本文运用“作者电影”这一研究方法对阿尔莫多瓦的电影体系做梳理和分析，阿尔莫多瓦是国际影坛公认的“电影作者”，他的电影创作完全可以运用“作者电影”的标准来进行阐释和研究。本文分为五个部分，第一部分是绪论，主要梳理和介绍阿尔莫多瓦在国外和中国国内的研究现状，从而得出用“作者电影”这一理论来研究阿尔莫多瓦的有效性；第二部分是有关“作者电影”的基本介绍及探讨阿尔莫多瓦电影作者的身份。后面的三个部分是论文的主体部分，充分论述了阿尔莫多瓦之所以被称为电影作者的原因。第三部分从阿尔莫多瓦电影的主题入手，探讨他电影中恒久的三个主题——孤独、欲望和家庭；第四部分和第五部分则是研究他电影的叙事策略和视听元素，从而挖掘出他电影中一贯表现出的个人风格。其中，，叙事策略主要从“戏中戏”和“闪回”着手进行解析，而视听元素则涵括了阿尔莫多瓦电影中的音乐、广告、非商业化的商业元素和细节的多重运用。 本论文通过对阿尔莫多瓦电影作品具体而全面的分析和解读，通过运用“作者电影”理论展示了阿尔莫多瓦一贯探讨和追寻的主题以及鲜明而独特的个人化风格。阿尔莫多瓦自在游走在电影的商业性和艺术性之间，对他的研究肯定会对当前中国电影如何拿捏电影的娱乐性与艺术性提供一些启示。
[Abstract]:Pedro Almodova is an internationally renowned Spanish director. From 1980's first feature film, "Peeby, Lucy, Bong and other unremarkable Girls" to 2011's "my skin," he produced 18 films in 31 years. His works are very controversial, both in Spain and internationally, but at the same time won various international awards, won general praise. This paper analyzes Almodova's film system by using the method of "author's film", which is recognized as "film author" in the international film world. His film creation can be explained and studied by the standard of author's film. This paper is divided into five parts, the first part is the introduction, mainly combing and introducing the current research situation of Almodova in foreign countries and in China, so as to draw the conclusion that the theory of "author's film" is used to study the validity of Almodova; The second part is the basic introduction of the author's film and the identity of the author of the Almodova film. The following three parts are the main part of the thesis, which fully discusses the reason why Almodova is called the author of the film. The third part starts with the theme of Almodova's film, and probes into the three enduring themes in his film-loneliness, desire and family, while the fourth and fifth parts study the narrative strategy and audio-visual elements of his film. In order to dig out his film has been shown in the personal style. Among them, the narrative strategy mainly starts from the "play in the play" and "flashback", while the audio-visual elements include the music, advertising, non-commercial elements and the multiple use of details in Almodova's films. Through the concrete and comprehensive analysis and interpretation of Almodova's film works, this paper demonstrates the theme and distinctive and unique individualized style of Almodova's consistent exploration and pursuit by using the "author's film" theory. Almodova walks freely between the commercial and artistic nature of the film, and his research will certainly provide some enlightenment on how to use the entertainment and artistry of the film in the present Chinese film.
【学位授予单位】：重庆师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
本文编号：2239814
[Abstract]:Pedro Almodova is an internationally renowned Spanish director. From 1980's first feature film, "Peeby, Lucy, Bong and other unremarkable Girls" to 2011's "my skin," he produced 18 films in 31 years. His works are very controversial, both in Spain and internationally, but at the same time won various international awards, won general praise. This paper analyzes Almodova's film system by using the method of "author's film", which is recognized as "film author" in the international film world. His film creation can be explained and studied by the standard of author's film. This paper is divided into five parts, the first part is the introduction, mainly combing and introducing the current research situation of Almodova in foreign countries and in China, so as to draw the conclusion that the theory of "author's film" is used to study the validity of Almodova; The second part is the basic introduction of the author's film and the identity of the author of the Almodova film. The following three parts are the main part of the thesis, which fully discusses the reason why Almodova is called the author of the film. The third part starts with the theme of Almodova's film, and probes into the three enduring themes in his film-loneliness, desire and family, while the fourth and fifth parts study the narrative strategy and audio-visual elements of his film. In order to dig out his film has been shown in the personal style. Among them, the narrative strategy mainly starts from the "play in the play" and "flashback", while the audio-visual elements include the music, advertising, non-commercial elements and the multiple use of details in Almodova's films. Through the concrete and comprehensive analysis and interpretation of Almodova's film works, this paper demonstrates the theme and distinctive and unique individualized style of Almodova's consistent exploration and pursuit by using the "author's film" theory. Almodova walks freely between the commercial and artistic nature of the film, and his research will certainly provide some enlightenment on how to use the entertainment and artistry of the film in the present Chinese film.
【学位授予单位】：重庆师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
【参考文献】
相关期刊论文 前10条
1 余姝;关于女人……── 观《关于我母亲的一切》有感[J];北京电影学院学报;2000年03期
2 张权生;;“凝视”的快感——论阿尔莫多瓦电影的反女性主义[J];北京电影学院学报;2010年01期
3 小史;鬼才导演影坛顽童阿尔莫吕瓦[J];当代电视;2000年06期
4 赖伟光;显影:阿尔莫多瓦电影的剧本特征 [J];当代电影;2000年02期
5 傅郁辰;佩德罗·阿尔莫多瓦谈自己的创作 [J];当代电影;2000年02期
6 马莎·帕莉,高静渊;激情的政治: 佩德罗·阿尔莫多瓦与讽刺性幽默美学 [J];当代电影;2000年02期
7 孙慰川;论电影与黑色浪漫[J];当代电影;2003年03期
8 冯俊苗;现实的悲剧 虚幻的欲望——影片《不良教育》赏析[J];当代电影;2005年03期
9 傅郁辰;爱与恨的交织──谈《高跟鞋》[J];当代电影;1995年05期
10 傅郁辰;孤独幽香的心灵之花 谈《我的秘密之花》[J];当代电影;1998年01期
相关硕士学位论文 前2条
1 陈丽君;后现代的激情迷宫[D];南京师范大学;2006年
2 左卓;阿尔莫多瓦电影中传统性别身份的颠覆[D];北京邮电大学;2008年
本文编号：2239814
本文链接：https://www.wllwen.com/wenyilunwen/dianyingdianshilunwen/2239814.html
