影视交汇视域下的香港电影新浪潮源起论——以探寻“香港身份”为中心
发布时间：2018-09-17 07:12
【摘要】：香港学术界的主流观点认为,香港电影新浪潮源于电视新浪潮,因为后者带给前者的"写实性",使其区别于当时脱离现实的片厂电影。此观点值得商榷。在电视新浪潮之前,电影工业内的先锋导演已有了"写实性"的探索。那么相对于电影工业的先锋探索,电视新浪潮到底"新"在哪里?两者与电影新浪潮又有何关联?笔者以"香港身份"的探寻为核心,通过比较"认同"与"认异"在电影先锋探索潮与电视新浪潮中的嬗变,对上述问题做出解答。据此,提出审视香港电影新浪潮源起的新视角。
[Abstract]:The mainstream view of Hong Kong academic circles is that the new wave of Hong Kong film originates from the new wave of television, because the latter brings the former "realism", which distinguishes it from the film industry which was out of touch with reality at that time. This view is open to question. Before the new wave of television, the pioneer directors in the film industry had explored realism. So in contrast to the pioneering exploration of the film industry, where is the new wave of television? What is the connection between the two and the new wave of movies? The author takes "Hong Kong identity" as the core, and by comparing the evolution of "identity" and "recognition of difference" in the new wave of film pioneer exploration and television, gives an answer to the above questions. Based on this, this paper puts forward a new angle of view to examine the origin of the new wave of Hong Kong film.
【作者单位】： 南京大学文学院;
【基金】：教育部2013年度人文社会科学研究青年基金项目《文化交汇视域下的香港电影新浪潮研究(1978—1984)》(编号:13YJC760017)
【分类号】：J905
[Abstract]:The mainstream view of Hong Kong academic circles is that the new wave of Hong Kong film originates from the new wave of television, because the latter brings the former "realism", which distinguishes it from the film industry which was out of touch with reality at that time. This view is open to question. Before the new wave of television, the pioneer directors in the film industry had explored realism. So in contrast to the pioneering exploration of the film industry, where is the new wave of television? What is the connection between the two and the new wave of movies? The author takes "Hong Kong identity" as the core, and by comparing the evolution of "identity" and "recognition of difference" in the new wave of film pioneer exploration and television, gives an answer to the above questions. Based on this, this paper puts forward a new angle of view to examine the origin of the new wave of Hong Kong film.
【作者单位】： 南京大学文学院;
【基金】：教育部2013年度人文社会科学研究青年基金项目《文化交汇视域下的香港电影新浪潮研究(1978—1984)》(编号:13YJC760017)
【分类号】：J905
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