叙事学视野下《红高粱》的改编研究
发布时间：2018-10-20 18:08
【摘要】：本文以热奈特叙事学理论为工具,通过比较以《红高粱》为原型改编的电影、电视剧、以及舞蹈、绘画、戏曲作品,研究从文本到其他艺术形式的变化,以及不同形式艺术作品的叙事策略。本文尤其注重影视作品的研究,通过不同的作品进行具体的分析。第一章回归文本,把目光集中在小说《红高粱家族》本身,以叙事学角度分析小说文本的要素和结构,第二章第三章分别则研究了小说文本转化成电影、小说文本改编成电视剧,在叙事策略上产生的变化,第四章着重分析了舞剧《红高粱》的叙事特点,第五章分别研究了以《红高粱》为主题的油画作品和国画作品的叙事策略,第六章系统分析了以小说为原型改编的地方戏的特征,而最后一章则总结了以红高粱为母题的民俗艺术品的特点。当今文学改编成影视作品蔚然成风,研究此现象的文献资料也数不胜数,但大多数是从“美学”方面入手,几乎没有就“红高粱”这一主题进行分析研究,本文填补了这一空缺。文章从小说、电影、电视剧、舞蹈、戏曲的叙事视点、叙事结构、叙事方式等角度切入进行分析研究,对这些艺术形式进行一个互文性的比较是本文最大的特色。
[Abstract]:By comparing films and TV series based on Red Sorghum, as well as dance, painting and opera works, this paper studies the changes from the text to other artistic forms by using Genet's narratology theory as a tool. And the narrative strategy of different forms of art works. This article pays particular attention to the study of film and television works, through the specific analysis of different works. The first chapter returns to the text, focuses on the novel "Red Sorghum Family" itself, analyzes the elements and structure of the novel text from the perspective of narratology. The fourth chapter focuses on the analysis of the narrative characteristics of the dance play Red Sorghum, and the fifth chapter studies the narrative strategies of oil paintings and Chinese paintings with the theme of Red Sorghum, respectively. The sixth chapter systematically analyzes the characteristics of the local drama adapted from the novel, while the last chapter summarizes the characteristics of folk art with red sorghum as its motif. Nowadays, the adaptation of literature into film and television works is very popular, and the literature to study this phenomenon is also numerous, but most of them start from the aspect of "aesthetics", and there is hardly any analysis and research on the subject of "Red Sorghum". This article fills the gap. This paper analyzes and studies the narrative point of view, narrative structure and narrative mode of novels, movies, TV dramas, dances and operas, and makes an intertextuality comparison of these artistic forms.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J905
本文编号：2283977
[Abstract]:By comparing films and TV series based on Red Sorghum, as well as dance, painting and opera works, this paper studies the changes from the text to other artistic forms by using Genet's narratology theory as a tool. And the narrative strategy of different forms of art works. This article pays particular attention to the study of film and television works, through the specific analysis of different works. The first chapter returns to the text, focuses on the novel "Red Sorghum Family" itself, analyzes the elements and structure of the novel text from the perspective of narratology. The fourth chapter focuses on the analysis of the narrative characteristics of the dance play Red Sorghum, and the fifth chapter studies the narrative strategies of oil paintings and Chinese paintings with the theme of Red Sorghum, respectively. The sixth chapter systematically analyzes the characteristics of the local drama adapted from the novel, while the last chapter summarizes the characteristics of folk art with red sorghum as its motif. Nowadays, the adaptation of literature into film and television works is very popular, and the literature to study this phenomenon is also numerous, but most of them start from the aspect of "aesthetics", and there is hardly any analysis and research on the subject of "Red Sorghum". This article fills the gap. This paper analyzes and studies the narrative point of view, narrative structure and narrative mode of novels, movies, TV dramas, dances and operas, and makes an intertextuality comparison of these artistic forms.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J905
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