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表面不自我,内里很自我——浅论黄真真电影

发布时间:2018-11-03 11:05
【摘要】:作为新世纪以来香港新一代女性导演的杰出代表,黄真真是一位"表面不自我,内里很自我"的导演。不论纯粹的港片,还是与内地的合拍片,黄真真电影始终以爱情为壳、女性为核,审视表达女性意识与精神理念,在银幕上努力探寻两性的平衡之道。黄真真电影坚持虚构与纪实的套层叙事和视觉风格,采用纪录片访谈、角色自拍、记录式拍摄等手法,创造出别具一格的多重韵味和艺术探索性。
[Abstract]:As an outstanding representative of a new generation of female directors in Hong Kong since the new century, Huang Zhenzhen is a director who is "not self-conscious and self-conscious." Whether it is pure Hong Kong films or co-productions with the mainland, Huang Zhenzhen's films always take love as the shell, women as the core, examine and express the female consciousness and spiritual concept, and strive to find a way to balance the two sexes on the screen. Huang Zhenzhen's films adhere to the narrative and visual style of fiction and documentary, and use documentary interview, role selfie, recording shooting and other techniques to create a unique multi-flavor and artistic exploration.
【作者单位】: 北京师范大学艺术与传媒学院;
【分类号】:J905

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