中国灾难题材影视剧中传统伦理的叙事策略

发布时间：2018-11-15 14:58

【摘要】：中国灾难题材影视作品相比好莱坞式的灾难影片，在技术上比较薄弱，特技场和视听效果表现不足，但是，，这些丝毫不影响中国灾难题材影视作品的发展和产量。国产灾难题材影视作品开始逐渐走上属于自己的发展之路——表现传统伦理。本文试图从叙事和伦理的角度分析中国灾难影片是如何通过叙事策略来表述传统伦理的。本文引言部分介绍了对中国灾难题材影视作品伦理表述研究的需求，以及学术界对于中国灾难片研究的概况、对于灾难题材影视作品的界定，以及对中国灾难题材影视作品做了分类，给予读者一个研究背景和总概况的介绍；第一章主要介绍了研究中国灾难题材影视作品伦理分析的理论来源、对于中国传统伦理的界定，以及中国灾难影片中的发展现状和伦理意义，这些也是中国灾难题材影视作品存在的理由和必要性；第二章和第三章从叙事结构模式、叙事元素的角度对中国灾难题材影视剧中的传统伦理做了文本分析，从而回答中国灾难影片是如何表达“传统伦理这一问题；第四章主要分析了中国灾难影片的发展趋势，逐步加强数字技术的运用，并保持和充分发挥中国灾难影片的伦理特色。通过这四章的分析与讨论，本文试图从叙事结构、元素、数字影像的角度回答中国灾难片如何进行对于伦理亲情的表述这一问题。
[Abstract]:Compared with Hollywood disaster films, China's disaster film works are relatively weak in technology, the performance of stunt field and audio-visual effect is insufficient, but these do not affect the development and production of China's disaster film and television works in any way. Domestic disaster theme film and television works began to gradually walk on their own way of development-the performance of traditional ethics. This paper attempts to analyze how Chinese disaster films express traditional ethics through narrative strategies from the perspective of narrative and ethics. The introduction of this paper introduces the demand for the ethical representation of Chinese disaster film and television works, as well as the general situation of the academic research on Chinese disaster film, and the definition of the disaster theme film and television works. As well as the Chinese disaster theme film and television works to do the classification, gives the reader a research background and the general situation introduction; The first chapter mainly introduces the theoretical sources, the definition of Chinese traditional ethics, and the development status and ethical significance of Chinese disaster films. These are also the reasons and necessity of the existence of China's disaster film and television works; The second and third chapters analyze the traditional ethics in Chinese disaster movies and TV dramas from the perspective of narrative structure and narrative elements, so as to answer the question of how Chinese disaster films express "traditional ethics"; The fourth chapter mainly analyzes the development trend of Chinese disaster film, strengthens the application of digital technology step by step, and maintains and gives full play to the ethical characteristics of Chinese disaster film. Through the analysis and discussion of the four chapters, this paper attempts to answer the question of how to express the ethical kinship of Chinese disaster films from the perspective of narrative structure, elements and digital images.
【学位授予单位】：云南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

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