中国第六代导演现实主义作品与大众接受的研究

发布时间：2018-11-20 16:05

【摘要】：第六代导演自登上历史舞台起,就把镜头对准了现实主义题材,他们以悲天悯人的情怀创作了一大批现实主义作品。但遗憾的是,由于其早期的现实题材作品或以愤世嫉俗的话语过分聚焦于记录现实,或以个性张扬的姿态沉迷于自恋色彩浓厚的自我表达,碎片化的叙事方式的和个人化的青春絮语给大众的接受造成了障碍。同时由于受转型期中国的电影体制、市场机制和电影受众等诸多客观因素的影响,第六代导演的现实主义作品相当长的一段时间内在大众的接受程度上始终处于处于边缘化。进入21世纪以后,为了迎合受众、顺应市场,第六代导演一直在寻求转型,即便在创作风格上已经作了让步和妥协,但是既叫好又叫座的作品依然稀少。对于这个现象,本文将从第六代导演的电影风格、大众审美倾向、国家电影体制、市场机制等几个方面对第六代导演现实主义作品在大众接受上遭遇的严重缺失作深入分析。第一章重点阐述了第六代导演初登影坛时所面临的复杂社会背景。计划经济向市场经济的过渡让第六代导演遭遇了与第五代导演完全不同的处境,他们游离于体制之外,在资本困境中开创了独立制片的生产模式。第二章阐述了第六代导演现实主义作品与受众的接触与磨合。第六代导演把目光聚焦于社会底层,从身边的人和事寻找灵感,大都沉迷于记录现实和自我叙述,影片主题体现出边缘化特点,此时的第六代导演已经形成了独树一帜的影像风格。第三章主要探讨了第六代导演现实主义作品的影像风格及其变化。第六代导演试图在割裂、琐碎、跳动的画面中表达自己对现实的控诉,可惜的是这与大众对电影的接受心理和审美能力并不契合,致使这些现实主义作品近乎无人问津。为了得到大众的认可,第六代导演开始尝试转型,但在自己的艺术理想和市场回报的夹缝中,他们对现实主义影片的创作开始进退失据。第四章从电影传播的内在机制的角度对第六代现实主义作品进行了分析。随着人们物质生活水平的提升,以电影为代表的大众文化进入了重娱乐、轻教化的阶段,第六代现实主义作品因其晦涩的主题、灰暗的风格、支离破碎的叙事而受到大众的疏离,加之社会体制和电影机制的掣肘,这些电影已经很难“浮出水面”。最后一章对第六代导演未来的现实主义之路作了预期和展望。
[Abstract]:Since they stepped onto the stage of history, the sixth generation directors have focused their lens on realistic themes, and they have created a large number of realistic works with compassion. Unfortunately, however, because his early realistic works or cynical words focused too much on documenting reality, or indulged in narcissistic self-expression in a self-effacing manner, Fragmented narration and individualized youth gossip create obstacles to popular acceptance. At the same time, influenced by many objective factors, such as film system, market mechanism and audience, the realist works of the sixth generation directors have always been marginalized in the popular acceptance for a long time. After entering the 21st century, in order to cater to the audience and adapt to the market, the sixth generation directors have been seeking to transform, even though they have made concessions and compromises in their creative style, but the works that are both good and popular are still rare. For this phenomenon, this paper will make a deep analysis of the serious lack of popular acceptance of the sixth generation director's realistic works from the aspects of the film style of the sixth generation director, the aesthetic tendency of the masses, the national film system, the market mechanism, and so on. Chapter one focuses on the complicated social background faced by the sixth generation director when he first appeared in the film world. The transition from planned economy to market economy makes the sixth generation directors encounter a completely different situation from the fifth generation directors. They deviate from the system and create the independent production mode in the capital dilemma. The second chapter expounds the sixth-generation director realistic works and audience contact and run-in. The sixth generation of directors focused on the bottom of society, looking for inspiration from people and events around them, mostly indulging in documenting reality and self-narration. At this time, the sixth generation of directors has formed a unique image style. The third chapter mainly discusses the image style and its change of the sixth-generation director's realistic works. The sixth generation of directors try to express their complaints about reality in the fragmented, trivial and beating pictures. Unfortunately, this does not coincide with the public's acceptance of the film and aesthetic ability, resulting in these realistic works are almost ignored. In order to get popular recognition, the sixth generation directors began to try to transform, but in their own artistic ideal and market return, they began to lose track of the creation of realistic films. The fourth chapter analyzes the sixth-generation realistic works from the angle of the internal mechanism of film communication. With the improvement of people's material living standard, the popular culture represented by the film has entered the stage of emphasizing entertainment rather than education, and the sixth generation realism works because of its obscure theme, gray style, Fragmented narratives are alienated by the masses, together with social systems and film mechanisms, which make it difficult to "surface" these films. In the last chapter, the future realistic road of the sixth generation director is expected and prospected.
【学位授予单位】：重庆工商大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J911

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