论新世纪中国武侠电影中人文意蕴的匮乏
发布时间：2018-11-23 11:48
【摘要】：武侠电影，作为中国叙事电影中最具民族特色的电影类型，以自强不息的精神、崇尚“侠义与助人”的人文关怀和深厚的中国传统美学哲思吸引着中国和世界范围内的观众，成为了对世界电影贡献最独特并在世界影坛上受关注程度越来越高的中国电影类型。 进入新世纪之后，武侠电影在新的社会历史语境下呈现出崭新的影像景观，虽然创作数量惊人并在票房上效益丰硕，但在人物塑造、道德评判和情节叙事等方面逐渐呈现出扁平化和猎奇化的状态，，传统武侠电影中“劫富济贫”的侠义精神、“家国至上”的正面价值观、“锄强扶弱”的社会责任感都不再是所要表达的重点，武侠精神被消弭、道德判断暧昧混乱、民族情感淡化、人文意蕴匮乏、最终产生文化认同危机，让武侠电影产生了令人担忧的系列问题。 本文主要是在前人研究的武侠电影相关成果上，以系统研究与个案文本分析相结合的研究方法，融入自己独立的思考，对新世纪中国武侠电影做系统的剖析。本文共分为两部分，第一部分为前言，主要是提出本文所要分析探讨的问题——新世纪以来中国武侠电影存在人文意蕴匮乏的问题。第二部分为本文的正文部分，共分为四章。分别从新世纪中国武侠电影人文意蕴匮乏的具体表现、负面影响、原因探析和未来发展对策研究方面进行分析。第一章从主题思想和影像风格两个大方面分析武侠电影人文意蕴匮乏的表现，人物塑造情感泛化、情节叙事乏力、特效奇观泛滥、类型元素杂糅等都是新世纪武侠电影人文意蕴匮乏的具体表现；第二章着重分析新世纪武侠电影人文意蕴匮乏的负面影响，如道德判断混乱、人文情怀流失、文化认同危机等负面影响；本文第三章进而从大众消费因素、商业市场因素和表象模仿因素考辩揭示新世纪武侠电影人文意蕴匮乏的复杂原因，并在第四章中提出中国武侠电影未来发展的对策研究，从根植“侠肝义胆”的民族武侠精、打造“求新求变”的类型电影、寻求商业需求与文化品位的平衡等方面提出对策，望为今后中国武侠电影的发展提供有益的镜鉴。 中国武侠电影只有牢牢抓住传承百年的人文意蕴，深植正面主流价值观、美好人性的彰显、社会职责的承担、人与人之间相互关怀于电影创作中，对于人文关怀的诉求，对于侠义文化的需求会让中国武侠电影发展的更好。
[Abstract]:As the most national feature film in Chinese narrative film, the martial arts film, with the spirit of self-improvement, advocating "chivalrous and helping others" humanistic concern and profound Chinese traditional aesthetic philosophy, attracts the audience in China and the world. Has become the most unique contribution to the world and has attracted more and more attention in the world of Chinese film genre. After entering the new century, the martial arts film presents a brand new image landscape in the new social and historical context. Although the number of creation is amazing and the box office is full of benefits, but in the portrayal of characters, Moral judgment and plot narration have gradually presented the state of flattening and hunting, the chivalrous spirit of "robbing the rich and helping the poor" in the traditional martial arts movies, and the positive values of "home and country first". The social responsibility of "hoe and strengthen the weak" is no longer the key point to be expressed. The spirit of martial arts is eliminated, the moral judgment is ambiguous and confused, the national emotion is diluted, the humanistic meaning is lacking, and finally the crisis of cultural identity is created. The martial arts film has created a series of worrying problems. This article is mainly in the previous research on the martial arts movie related results, with the system research and case study text analysis combination of research methods, into their own independent thinking, to the new century Chinese martial arts film to do a systematic analysis. This text is divided into two parts altogether, the first part is the preface, mainly put forward the question that this text wants to analyze and discuss-the problem that the Chinese martial arts movie has the lack of humanity meaning since the new century. The second part is divided into four chapters. Respectively from the new century Chinese martial arts film lack of humanistic connotation of the specific performance, negative impact, analysis and future development of countermeasures. The first chapter analyzes the expression of the lack of humanistic meaning in the martial arts film from two aspects: theme, thought and image style, the character shaping emotion is generalized, the plot narration is weak, the special effect spectacle is overflowing, The blending of type elements is the concrete manifestation of the lack of humanistic meaning of the martial arts movies in the new century. The second chapter focuses on the analysis of the negative impact of the lack of humanistic connotation in the new century martial arts movies, such as the confusion of moral judgment, the loss of humanistic feelings, the crisis of cultural identity, and so on. In the third chapter, the author tries to reveal the complex reasons for the lack of humanistic connotation of the martial arts movies in the new century from the mass consumption factor, the commercial market factor and the imitative factor. In the fourth chapter, the author puts forward the countermeasures for the future development of the Chinese martial arts movie. This paper puts forward some countermeasures from the aspects of the national martial arts essence of "chivalrous liver and courage", the creation of the type film of "seeking for new and changing" and the balance between commercial demand and cultural taste, hoping to provide useful mirror lessons for the development of Chinese martial arts movies in the future. The Chinese martial arts film only firmly grasps the cultural meaning which inherits the hundred years, deeply planted the positive mainstream value, the fine humanity manifestation, the social duty assumption, the person between the person mutual concern in the movie creation, regarding the humanity concern request, The need for chivalrous culture will make the development of Chinese martial arts films better.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
本文编号：2351502
[Abstract]:As the most national feature film in Chinese narrative film, the martial arts film, with the spirit of self-improvement, advocating "chivalrous and helping others" humanistic concern and profound Chinese traditional aesthetic philosophy, attracts the audience in China and the world. Has become the most unique contribution to the world and has attracted more and more attention in the world of Chinese film genre. After entering the new century, the martial arts film presents a brand new image landscape in the new social and historical context. Although the number of creation is amazing and the box office is full of benefits, but in the portrayal of characters, Moral judgment and plot narration have gradually presented the state of flattening and hunting, the chivalrous spirit of "robbing the rich and helping the poor" in the traditional martial arts movies, and the positive values of "home and country first". The social responsibility of "hoe and strengthen the weak" is no longer the key point to be expressed. The spirit of martial arts is eliminated, the moral judgment is ambiguous and confused, the national emotion is diluted, the humanistic meaning is lacking, and finally the crisis of cultural identity is created. The martial arts film has created a series of worrying problems. This article is mainly in the previous research on the martial arts movie related results, with the system research and case study text analysis combination of research methods, into their own independent thinking, to the new century Chinese martial arts film to do a systematic analysis. This text is divided into two parts altogether, the first part is the preface, mainly put forward the question that this text wants to analyze and discuss-the problem that the Chinese martial arts movie has the lack of humanity meaning since the new century. The second part is divided into four chapters. Respectively from the new century Chinese martial arts film lack of humanistic connotation of the specific performance, negative impact, analysis and future development of countermeasures. The first chapter analyzes the expression of the lack of humanistic meaning in the martial arts film from two aspects: theme, thought and image style, the character shaping emotion is generalized, the plot narration is weak, the special effect spectacle is overflowing, The blending of type elements is the concrete manifestation of the lack of humanistic meaning of the martial arts movies in the new century. The second chapter focuses on the analysis of the negative impact of the lack of humanistic connotation in the new century martial arts movies, such as the confusion of moral judgment, the loss of humanistic feelings, the crisis of cultural identity, and so on. In the third chapter, the author tries to reveal the complex reasons for the lack of humanistic connotation of the martial arts movies in the new century from the mass consumption factor, the commercial market factor and the imitative factor. In the fourth chapter, the author puts forward the countermeasures for the future development of the Chinese martial arts movie. This paper puts forward some countermeasures from the aspects of the national martial arts essence of "chivalrous liver and courage", the creation of the type film of "seeking for new and changing" and the balance between commercial demand and cultural taste, hoping to provide useful mirror lessons for the development of Chinese martial arts movies in the future. The Chinese martial arts film only firmly grasps the cultural meaning which inherits the hundred years, deeply planted the positive mainstream value, the fine humanity manifestation, the social duty assumption, the person between the person mutual concern in the movie creation, regarding the humanity concern request, The need for chivalrous culture will make the development of Chinese martial arts films better.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
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