从传统到现代—浅析皮克斯动画长片中的女性角色

发布时间：2018-11-23 19:29

【摘要】：无论在艺术成就还是商业上，皮克斯的成就足以让它成为当今最成功的动画缔造者，技术和创意都为人称道，成为迪斯尼之后最有影响力的动画工作室。在二十五年的发展历程中，他们的作品类型多元，其中以长片最为著名，，每一部都是创造着历史，构筑出属于皮克斯的动画王国，深刻的影响了世界动画。影视作品是女性主义斗争的主要阵地。在女性主义者和电影理论家发现女性在电影中“景观”式的“性客体”地位之后，他们结合后现代电影理论和女性主义理论对女性在电影中的形象进行了有趣的研究；同时，越来越多的电影导演乐于颠覆自己作品中的女性形象，创造出一个和过去延宕的女性形象完全不同的、全新的、主动的，甚至是充满攻击性的新女性形象。本文运用相关的女性主义理论和女性主义影视理论旨在分析皮克斯长篇动画电影中女性形象的转变，理清发展的脉络。本篇论文主要分为引言、正文和结语三个部分。引言主要介绍了相关的女性主义电影理论和皮克斯长篇动画电影的创作情况，介绍了作者写作的意图和期望达到的研究高度。正文部分主要由四个部分组成。第一部分简单梳理了皮克斯动画工作室的基本情况，记录了皮克斯的发展历程，回顾了其在技术上对动画发展起到的推动作用。第二部分以皮克斯的长篇动画电影为例，将出现在其中的女性角色进行分类，详细分析各种类型的女性角色的塑造对阐述动画电影主题起到的作用，女性角色在不同时期的动画片中的发展变化，强化动画片的主题表达，切入主题，为后来的女性角色分析做了铺垫。第三部分和第四部分运用女性主义电影理论对皮克斯长篇动画电影中的女性形象进行分析，在简要介绍了女性主义思潮的不同时期的发展之后，详细的对皮克斯电影中的女性主义的话语元素进行论述。从女性主义暴力影像的呈现，女性个体价值的关注和女性间情感的光辉三个方面阐述了观点，契合了女性主义电影理论。第五部分是结语部分，总结了女性主义电影理论和皮克斯动画长片之间的相互阐释，密不可分的关联性，总结了皮克斯的创作规律，以期发现这个动画工作室的成功之处和创作上的规律，为动画实践提供借鉴。
[Abstract]:Both in art and in business, Pixar's achievements make it the most successful animator of the day, technology and creativity, the most influential animation studio since Disney. In the course of 25 years' development, their works are of various types, among which they are most famous for their feature films, each of which is creating history and constructing a kingdom of animation belonging to Pixar, which has a profound impact on the animation of the world. Film and television works are the main position of feminist struggle. After feminists and film theorists found out the status of women as "sexual objects" in movies, they made an interesting research on the images of women in films with the combination of postmodern film theory and feminist theory. At the same time, more and more film directors are willing to subvert the female images in their own works, creating a completely different, new, active and even aggressive new female image. The purpose of this paper is to analyze the changes of female images in Pixar's long animated films and to clarify the development context by using the relevant feminist theory and feminist film theory. This thesis is divided into three parts: introduction, text and conclusion. The introduction mainly introduces the relevant feminist film theory and the creation of Pixar's long animated film, and introduces the author's intention and expectation of writing. The main body part consists of four parts. The first part briefly combs the basic situation of Pixar Animation Studio, records the development course of Pixar, and reviews its promoting effect on the development of animation. The second part takes Pixar's long animated film as an example, classifies the female characters appearing in them, and analyzes in detail the role of various types of female characters in describing the theme of animated films. The development and change of female characters in different period of animation, strengthen the theme expression of animation, cut into the theme, and pave the way for the later analysis of female characters. The third part and the fourth part use the feminist film theory to analyze the female image in Pixar's long animated film, after briefly introducing the development of the feminist trend of thought in different periods. This paper discusses the discourse elements of feminism in Pixar movies in detail. This paper expounds the viewpoint from three aspects: the appearance of feminist violence image, the concern of women's individual value and the splendor of female emotion, which coincides with the feminist film theory. The fifth part is the conclusion part, summarizes the feminist film theory and the Pixar animation feature film mutual interpretation, the inseparable correlation, has summarized the Pixar's creation rule. In order to find the success of this animation studio and the rules of creation, for animation practice to provide reference.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J954

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