战后日本电影的中国形象建构
发布时间：2018-11-23 20:34
【摘要】：战后日本电影的中国形象建构是日本对中国认识的参照和体现。通过分析日本面向中国形象主题的叙事,指出其在历史修辞、文化态度与形象塑造层面呈现出的种种歧义。战后日本电影围绕中国形象进行的抒写,不仅成为日本体认亚洲及自身形象的重要叙事坐标之一,同时其中所呈现出的散点透视/主题偏移,恰恰反映了其返回亚洲历史叙事过程中的民族文化改写与现实政治考量。由此,以中国形象建构作为理解日本电影内涵的交点/焦点,由点及面,涉及当下国家形象的多义性塑造,最终指向未来文化竞合(Cooperation-Competition)意义上的亚洲叙事。
[Abstract]:The construction of the Chinese image of Japanese films after the war is the reference and embodiment of Japan's understanding of China. By analyzing the narration of Japan's theme of Chinese image, this paper points out its various ambiguities in the aspects of historical rhetoric, cultural attitude and image creation. The expression of Japanese films around the image of China after the war has not only become one of the important narrative coordinates for Japan to recognize Asia and its own image, but also presents a scattered perspective / theme deviation. It precisely reflects the rewriting of national culture and realistic political considerations in the course of historical narration of his return to Asia. Therefore, taking the Chinese image construction as the intersection / focus to understand the connotation of Japanese film, from the point and the aspect, it involves the polysemous shaping of the present national image, and finally points to the Asian narrative in the sense of the future cultural competition (Cooperation-Competition).
【作者单位】： 上海师范大学人文与传播学院;
【基金】：国家社科基金艺术学一般项目(15BC037)
【分类号】：J904
[Abstract]:The construction of the Chinese image of Japanese films after the war is the reference and embodiment of Japan's understanding of China. By analyzing the narration of Japan's theme of Chinese image, this paper points out its various ambiguities in the aspects of historical rhetoric, cultural attitude and image creation. The expression of Japanese films around the image of China after the war has not only become one of the important narrative coordinates for Japan to recognize Asia and its own image, but also presents a scattered perspective / theme deviation. It precisely reflects the rewriting of national culture and realistic political considerations in the course of historical narration of his return to Asia. Therefore, taking the Chinese image construction as the intersection / focus to understand the connotation of Japanese film, from the point and the aspect, it involves the polysemous shaping of the present national image, and finally points to the Asian narrative in the sense of the future cultural competition (Cooperation-Competition).
【作者单位】： 上海师范大学人文与传播学院;
【基金】：国家社科基金艺术学一般项目(15BC037)
【分类号】：J904
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