国外科幻影视作品的叙事策略研究

发布时间：2018-11-25 12:48

【摘要】：百年以来，科幻系列犹如一位历尽沧桑、风华绝代的美人在时代的洪流中日渐丰盈，凭借着无与伦比的魅力坐拥世界影视业之巅。先进科技织就的锦衣装扮其身；模式化的故事成为特色符号插在发髻，作为其地位的象征；人物鲜明的性格、对现世的人文关怀、对未来的未雨绸缪是其站上王位的内核所在。这位美人离我们如此之近，她明白我们每一天的奔波劳累，体恤到我们每个人内心的疾苦；她又离我们如此遥远，总是展现未来之事，告诫我们时刻反思自身。本文共分为四章：第一章笔者将就科幻影视作品的哲学主题展开论述，其实每一部科幻影视作品都是一种假设，对未来画了一个大大的问号。它揭示当下人类生活状况以及对现实社会问题与矛盾的关注，虚拟呈现出未来世界的模样，从而引起人们反思自己的所作所为，以达到警示的作用；第二部分笔者将就科幻影视作品的叙事特色着手，主要揭示其靠着简单化、符号化、模式化的故事将主流文化中的男性特征渗入其中，让人们毫无察觉地接受男性特征文化；第三章笔者着力描述科幻影视作品的人物设置特色，通过对以男性为主的人类角色与“其他生命体”的虚幻角色的塑造，将主流意识形态中有利于统治者的部分传播到受众头脑中，并将其内化为维护社会稳定的唯一正确方法，限制人们的反抗本能；第四章笔者将国内科幻影视作品的匮乏状况与国外的百花齐放进行对比，以期对中国科幻影视业的繁荣提出一些意见，帮助影视制作人寻找突破之路。
[Abstract]:For a hundred years, sci-fi series like a vicissitudes of vicissitudes, gorgeous beauty in the tide of the times increasingly rich, with unparalleled charm to sit on top of the world's film and television industry. Advanced science and technology woven brocade clothes dress up its body; stylized stories become characteristic symbols inserted in the hair bun as a symbol of its status; the distinctive character, humanistic concern for the world, and early preparation for the future are the core of his standing on the throne. This beauty is so close to us that she understands that we are so tired every day, and that she is so far away from us that she always shows us the future and teaches us to reflect on ourselves all the time. This paper is divided into four chapters: in the first chapter, the author will discuss the philosophical theme of sci-fi film and television works. In fact, each sci-fi film and television work is a hypothetical one, drawing a big question mark on the future. It reveals the current situation of human life and pays attention to the real social problems and contradictions, and virtual presents the appearance of the future world, thus causing people to reflect on their own actions, in order to achieve the role of warning; The second part of the author will start on the narrative characteristics of sci-fi film and television works, mainly reveals that by simplifying, symbolizing, and stylized stories will infiltrate the male characteristics of mainstream culture, so that people can accept the male characteristic culture unconsciously; In the third chapter, the author tries to describe the characters of sci-fi film and television works, through the creation of the man-based human role and the illusory role of "other living things". The part of the mainstream ideology that is beneficial to the ruler is spread to the audience's mind and internalized as the only correct way to maintain social stability to limit people's resistance instinct; In the fourth chapter, the author compares the scarcity of domestic sci-fi films and television works with the foreign ones, in order to put forward some suggestions on the prosperity of Chinese sci-fi film and television industry, and help film and television producers to find a way to break through.
【学位授予单位】：黑龙江大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

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