新世纪中国大陆青春电影的主题与表达
发布时间：2018-12-16 16:42
【摘要】：新时期以来,随着社会经济文化的发展,出现一个很重要的趋势,社会主流群体年轻化,这使得青年人的价值观念成为整个社会的主流观念和强势观念,社会历史的变迁在青年人命运思想上的体现尤为敏感和生动,这种相关的时代变迁又很直观地体现在电影中,尤其是新世纪十年,出现了一大批青春电影,这些电影从社会生活方式到意识形态集中体现了青年人独特鲜明的文化样式。 这篇论文聚焦新世纪大陆青春电影,从多个角度对此时间段的中国青春电影创作母题以及艺术表达进行梳理与研究,采用电影叙事学、个案分析与整体研究相结合的方法作出总体把握和具体分析。横轴以大陆青春电影为论述空间,纵轴上以2000——2013年为时间背景,此时间段我国电影投资主体逐渐多元化,新生代导演回归舞台、新锐导演的多元影像加入,使大陆青春电影在新世纪展示出了别样风景,既有对过往青春的追忆,更有对当下青年人生存状态的关注,历史意义和现实意义较之前相比更加深厚,大陆电影所呈现出的商业化倾向、互联网思维,使得展示平台更加丰富,青春电影风头正劲,出现了此时代所特有的影像风格,借此提取五部青春电影作为个案分析。以同中存异,异中求同的辩证思路出发,建立起宏观统一的大陆青春电影视野,希望以此为中国大陆青春电影的未来发展提供些许思考。本论文主体共有三章,加绪论和结论共为五个部分。
[Abstract]:Since the new era, with the development of social economy and culture, a very important trend has emerged. The main social group is getting younger, which makes the values of young people become the mainstream and strong ideas of the whole society. The social and historical changes are particularly sensitive and vivid in the thinking of the fate of young people. This related change of the times is directly reflected in the films, especially in the new century decade, and a large number of youth films have appeared. These films, from social life style to ideology, embody the distinctive cultural style of young people. This paper focuses on the mainland youth movies of the new century, combs and studies the motif and artistic expression of Chinese youth films in this period from many angles, and adopts the film narratology. Case study and the overall study of the method combined to make a general grasp and specific analysis. The horizontal axis takes the mainland youth film as the elaboration space, the vertical axis takes 2000-2013 as the time background, this time period our country movie investment main body gradually diversifies, the new generation director returns to the stage, the new sharp director's multiple images join. In the new century, the mainland youth films have displayed a different landscape. They not only recall the youth of the past, but also pay more attention to the living conditions of today's young people. The historical and practical meanings are more profound than before. The commercial tendency of the mainland films and the thinking of the Internet make the display platform more abundant. The youth films are gaining momentum and the unique image style of this era appears. Thus five youth films are extracted as a case study. Based on the dialectical thinking of preserving difference and seeking common ground, the author sets up a macroscopic and unified view of the mainland's youth film, hoping to provide some thoughts for the future development of the Chinese mainland's youth film. The main body of this paper consists of three chapters, plus introduction and conclusion are five parts.
【学位授予单位】：西南交通大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
本文编号：2382713
[Abstract]:Since the new era, with the development of social economy and culture, a very important trend has emerged. The main social group is getting younger, which makes the values of young people become the mainstream and strong ideas of the whole society. The social and historical changes are particularly sensitive and vivid in the thinking of the fate of young people. This related change of the times is directly reflected in the films, especially in the new century decade, and a large number of youth films have appeared. These films, from social life style to ideology, embody the distinctive cultural style of young people. This paper focuses on the mainland youth movies of the new century, combs and studies the motif and artistic expression of Chinese youth films in this period from many angles, and adopts the film narratology. Case study and the overall study of the method combined to make a general grasp and specific analysis. The horizontal axis takes the mainland youth film as the elaboration space, the vertical axis takes 2000-2013 as the time background, this time period our country movie investment main body gradually diversifies, the new generation director returns to the stage, the new sharp director's multiple images join. In the new century, the mainland youth films have displayed a different landscape. They not only recall the youth of the past, but also pay more attention to the living conditions of today's young people. The historical and practical meanings are more profound than before. The commercial tendency of the mainland films and the thinking of the Internet make the display platform more abundant. The youth films are gaining momentum and the unique image style of this era appears. Thus five youth films are extracted as a case study. Based on the dialectical thinking of preserving difference and seeking common ground, the author sets up a macroscopic and unified view of the mainland's youth film, hoping to provide some thoughts for the future development of the Chinese mainland's youth film. The main body of this paper consists of three chapters, plus introduction and conclusion are five parts.
【学位授予单位】：西南交通大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
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