网络自制剧文本研究

发布时间：2018-12-17 01:29

【摘要】：随着社会生活的快速发展,人们对网络的依赖程度逐渐提高。2016年被称之为网络自制剧元年,其内容的发展速度是人们都始料未及的。网络自制剧自身具备题材多样、语言平实与叙事碎片化的特征使其具有了强大的生命力。尽管网络自制剧以其红火的势头占据了影视行业的主力军位置,但它并不对传统电视剧构成威胁。相反,它是在传统电视剧的基础上结合网络播出特性发展而成,从而与传统电视剧一同促进了我国影视艺术的发展。作为一种依托于视频网站制作与播出的电视剧艺术形式,它在题材选择、人物塑造、视听语言、叙事方式上有不同于传统电视剧的特殊之处。然而,仔细回顾近几年网络自制剧的发展,它也不可避免的暴露了其文本存在的缺陷,暴露出内容同质化、监管尺度不严以及过度商业化等问题。现如今的网络自制剧如何能最大化的发挥自身优势,以及如何更好的去改善缺陷是当前最需要迫切关注的问题,也是对网络自制剧研究的必要之处。本文将对网络自制剧进行深入分析与总结,全文将分为五章论述。在绪论章节主要是对网络自制剧的研究现状进行梳理,以此能加深网络自制剧的研究背景知识,同时能更好对网络自制剧进行概念界定。第一章主要是论述网络自制剧的题材,探讨题材来源与题材类型。第二章主要是探析网络自制剧中塑造了哪些人物,以及塑造人物的方式。第三章主要从画面与声音语言入手,探讨网络自制剧在画面特征中因为电脑、手机等移动端的播出特性,它更倾向于小景别画面与规律性画面组接,并常常使用特效与字幕补充。另一方面在声音特征上也主要是完成声音特性的表意、表情与表真。第四章主要是论述网络自制剧的叙事视角、叙事结构与叙事时空,总结出网络自制剧自身独特的叙事方式。第五章主要是指出网络自制剧目前存在的文本缺陷问题,并针对相应问题提出发展建议,从而保障网络自制剧更加良性向前发展。
[Abstract]:With the rapid development of social life, people's dependence on the Internet has gradually increased. 2016 is called the first year of online self-production, and the speed of its content development is unexpected. Network self-production has its own diverse themes, language and narrative fragmentation features make it have a strong vitality. Although the internet self-production takes the main position in the film and television industry with its popular momentum, it does not pose a threat to the traditional TV series. On the contrary, it develops on the basis of traditional TV series combined with the characteristics of network broadcasting, and thus promotes the development of Chinese film and television art together with traditional TV plays. As an artistic form of TV series based on the production and broadcast of video websites, it is different from traditional TV plays in subject selection, character shaping, audiovisual language and narrative mode. However, reviewing the development of network self-production in recent years, it inevitably exposes the defects of its text, the homogeneity of content, the lack of strict regulatory standards and excessive commercialization. Nowadays, how to maximize the advantages of self-production and how to improve the defects is the most urgent concern, and it is also necessary to study the self-production of network. This article will analyze and summarize the network self-production, the full text will be divided into five chapters. In the introduction chapter, it is mainly to comb the research status of the network self-production, so as to deepen the research background knowledge of the network self-production, at the same time, it can better define the concept of the network self-production. The first chapter mainly discusses the subject matter of network self-production drama, discusses the theme source and theme type. The second chapter mainly analyzes which characters are created in the network self-production, and how to shape the characters. The third chapter mainly from the picture and the sound language, discusses the network self-made play in the picture characteristic because of the computer, the handset and so on mobile terminal broadcast characteristic, it is more inclined to the small scene difference picture and the regular picture group connection. And often use special effects and subtitles supplement. On the other hand, the sound features are mainly completed in the expression, expression and representation of the true. The fourth chapter mainly discusses the narrative perspective, narrative structure and narrative time and space, and summarizes its own unique narrative mode. The fifth chapter mainly points out the text defects existing in the network self-production, and puts forward suggestions for the development of the corresponding problems, so as to ensure a more benign forward development of the network self-production.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905

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