中国少数民族电影话语策略之弱假定象征
发布时间：2018-12-20 21:28
【摘要】：象征是电影常用的"话语"方式,国内少数民族电影从产生初期就自觉地热衷于象征手法的使用,并在之后不断进行探索。但是,国内外相关研究并没关注到少数民族电影象征手法使用的流变过程,对于当前电影广泛使用的象征也没做优劣的辨析。在此,梳理中国少数民族电影象征手法的运用历程,并以藏族导演万玛才旦拍摄的《静静的嘛呢石》为例,说明少数民族电影在象征手法的使用中,弱假定象征可成为少数民族电影的优势话语策略之一。
[Abstract]:Symbolism is a commonly used "discourse" method in films. The minority films in China have been consciously keen on the use of symbolism since the beginning of its emergence, and have been exploring it since then. However, relevant studies at home and abroad did not pay attention to the changing process of the use of symbolism in minority films, and did not discriminate the merits and demerits of the symbols widely used in current films. Here, combing the use of symbolic techniques in Chinese minority films, and taking "quiet Stone" shot by Tibetan director Wan Ma Caidan as an example, to illustrate the use of symbolism in minority films. Weak hypothetical symbolism can become one of the dominant discourse strategies in minority films.
【作者单位】： 四川民族学院;
【基金】：四川省教育厅重点科研项目“当代康巴作家文学研究”(项目编号:16SAO138)
【分类号】：J905
，
本文编号：2388430
[Abstract]:Symbolism is a commonly used "discourse" method in films. The minority films in China have been consciously keen on the use of symbolism since the beginning of its emergence, and have been exploring it since then. However, relevant studies at home and abroad did not pay attention to the changing process of the use of symbolism in minority films, and did not discriminate the merits and demerits of the symbols widely used in current films. Here, combing the use of symbolic techniques in Chinese minority films, and taking "quiet Stone" shot by Tibetan director Wan Ma Caidan as an example, to illustrate the use of symbolism in minority films. Weak hypothetical symbolism can become one of the dominant discourse strategies in minority films.
【作者单位】： 四川民族学院;
【基金】：四川省教育厅重点科研项目“当代康巴作家文学研究”(项目编号:16SAO138)
【分类号】：J905
，
本文编号：2388430
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