论女性主义视野中的李玉电影

发布时间：2019-01-15 20:47

【摘要】：中国女性导演李玉凭借自己执导的电影在国际上频频获奖，这引起了研究者的普遍关注。从2000年的第一部故事片《今年夏天》开始，李玉正式专注于电影的拍摄。迄今为止，一共有五部电影作品：《今年夏天》、《红颜》、《苹果》、《观音山》、《二次曝光》。从纪录片到故事片的创作，李玉始终坚持自己独特的纪实风格、将关注女性生存作为首要任务，在创作中不断完善和进步，无论是艺术成就上还是商业价值上都获得了前所未有的成功。她的作品以女性作为主体，从女性视角出发，通过对社会中不同阶层、不同身份的女性生存遭遇的展现从而突出对女性主体意识的关注与思考。与其它导演不同的是，纪录片导演出道的李玉在拍摄电影时，并不去追求画面的精美和震撼，她着力于人物的塑造和主题的表达上，形成了她独有的电影艺术风格。在女性意识的表达上，她着重关注的是在男权社会下女性在社会当中的地位和关系问题，她通过电影镜头表达出对女性地位提升和坚持女性独立的渴望和追求。李玉没有照搬西方的女性主义理论，而是将理论放在中国传统文化中，利用中国古代的传统意象在影片中的反复运用来彰显出所要表达的女性意识。李玉很好地将西方女性主义理论同中国的传统文化相结合，创作出了富有中国特色和烙印的女性主义电影。随着李玉在国际舞台的频频获奖，对李玉导演的作品进行研究和分析就显得格外有意义。
[Abstract]:Chinese female director Li Yu has received international awards for her films, which has attracted widespread attention of researchers. Since 2000's first feature film, this summer, Li Yu has been officially focused on film production. So far, there have been five films: summer of this year, Beauty, Apple, Guanyin Mountain, second exposure. From documentaries to feature films, Li Yu has always insisted on her own unique documentary style, taking attention to the survival of women as the primary task, constantly perfecting and making progress in her creation. Both artistic achievements and commercial values have achieved unprecedented success. Her works take the female as the main body, from the female angle of view, through the different social stratum, the different status female survival encounter display, thus outstanding to the female subject consciousness's attention and the ponder. Unlike other directors, documentary director Li Yu did not pursue the beauty and shock of the picture when she made the film. She focused on the portrayal of the characters and the expression of the theme, forming her unique film art style. In terms of the expression of female consciousness, she focuses on the status and relationship of women in the patriarchal society. Through the film lens, she expresses her desire and pursuit for the advancement of women's status and the persistence of women's independence. Li Yu did not copy the western feminist theory, but put the theory in the Chinese traditional culture, and used the traditional image of ancient China in the film repeatedly to show the female consciousness to be expressed. Li Yu well combined the western feminist theory with Chinese traditional culture and created feminist films with Chinese characteristics and imprint. With Li Yu winning awards frequently on the international stage, it is of particular significance to study and analyze the works of director Li Yu.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

【参考文献】