李安作品中所体现的身份意识及文化身份探讨
发布时间：2019-03-21 14:18
【摘要】：随着跨国界和跨文化的社会、经济、政治交流活动的日益增多，文化冲突问题的凸显吸引了越来越多人的关注。随之而来的文化危机及自我身份质疑与定位更是困扰不少海外华人，，使他们的身份认同之路步步踉跄。而在现实中，不少人对这种现象的初相识却是通过电影这种文化的艺术性表达来实现。 李安是一名出生于台湾，求学于美国，并取得绿卡的电影导演兼编剧，他受到台湾、中国大陆及美国的多重文化影响。但在现实中，他被美国主流社会视为外国人，被中国大陆人视为台胞，被台湾人视为外省二代移居者，多重局外人的身份使得它的身份认同之路荆棘丛丛。在他的电影及剧本中，东西文化交织相生互为烘托，人物对于文化身份的探寻引人深省；而这也正是他自身文化身份的写照。因而，剖析李安作品引起各种冲突的根源---东西文化冲突对于探究他在跨国语境下的自我定位与身份认同特征具有借鉴及研究意义。 本文共分为三个部分。引言中主要介绍李安的自身文化背景、艺术成就、国内外对其研究现状及本文的研究依据和理论基础。 第一章以斯图尔特霍尔的流动文化认同理论为理论框架，结合全球理论下认同危机的形成，通过李安作品中人物思想意识走向、族裔文化探寻及文化身份塑造等方面进行分析，试图揭示外籍华人对于自身文化身份认同的摸索。 第二章分析李安作品中人物从对自身身份意识的觉醒到着手探寻自身文化身份的过程，深入剖析两种文化从表层的物质到深层意识的多重冲突。以爱德华霍尔的高低语境理论为基础，通过探索李安作品中对中国传统文化追寻的过程以及剧本中人物对白展示的心理纠葛来梳理李安在高语境东方文化浸泡下不自觉的对这种文化的展露，并揭示其对东方文化的认同。 第三章介绍李安剧本中华裔作为美国社会边缘人的形象，以及他们对家庭的向往。通过分析李安剧本中人物在经历“家”的解构和重塑的过程中如何在以白人为主流群体的社会中通过文化冲突与碰撞寻求自身文化认同，在保留尊重传统的东方母文化的同时包容吸收西方新文化来重塑文化身份，实现东西方文化交融并存。
[Abstract]:With the increasing activities of cross-border and cross-cultural society, economy and politics, cultural conflicts have attracted more and more people's attention. The following cultural crisis and self-identity questioning and positioning are perplexing many overseas Chinese, causing their identity to stagger step by step. In reality, many people's first acquaintance of this phenomenon is achieved through the artistic expression of film culture. Lee is a film director and screenwriter who was born in Taiwan, studied in the United States, and received a green card. He is influenced by various cultures in Taiwan, China and the United States. But in reality, he is regarded as a foreigner by the mainstream society in the United States, as a Taiwanese by Chinese people, and as a second generation immigrant from other provinces by Taiwanese people. The identity of multiple outsiders makes his identity a difficult road. In his films and plays, East and West cultures intertwined with each other, the characters' search for cultural identity is fascinating; and this is also the reflection of his own cultural identity. Therefore, analyzing the causes of all kinds of conflicts caused by Lee's works-the cultural conflicts in the East and the West is of great significance in exploring his self-orientation and identity characteristics in the transnational context. This paper is divided into three parts. The introduction mainly introduces Ang Lee's own cultural background, artistic achievements, the status quo of his research at home and abroad, the research basis and theoretical basis of this paper. The first chapter takes Stuart Hall's theory of mobile cultural identity as the theoretical framework, combining with the formation of identity crisis under the global theory, through the analysis of the ideological orientation of the characters in Lee's works, the exploration of ethnic culture and the shaping of cultural identity, and so on. Try to reveal the foreign Chinese on their own cultural identity exploration. The second chapter analyzes the process from awakening of identity consciousness to exploring the cultural identity of the characters in Lee's works, and deeply analyzes the multiple conflicts between the two cultures from the surface material to the deep consciousness. Based on Edward Hall's theory of high and low context, By exploring the process of pursuing the Chinese traditional culture in Lee's works and the psychological entanglement in the dialogue display of the characters in the script, the author tries to sort out Lee's unconsciously exposed to this culture under the immersion of the high-context oriental culture. And reveal its identity to the oriental culture. The third chapter introduces the image of Chinese Americans as marginal Americans in Lee's play, and their yearning for family. This paper analyzes how the characters in Lee's script seek their own cultural identity through cultural conflict and collision in a society with white people as the mainstream group in the process of deconstruction and reconstruction of "home". While respecting the traditional oriental mother culture, we should absorb the new western culture to reshape the cultural identity and realize the coexistence of the eastern and western cultures.
【学位授予单位】：辽宁大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905;I207.3
本文编号：2445031
[Abstract]:With the increasing activities of cross-border and cross-cultural society, economy and politics, cultural conflicts have attracted more and more people's attention. The following cultural crisis and self-identity questioning and positioning are perplexing many overseas Chinese, causing their identity to stagger step by step. In reality, many people's first acquaintance of this phenomenon is achieved through the artistic expression of film culture. Lee is a film director and screenwriter who was born in Taiwan, studied in the United States, and received a green card. He is influenced by various cultures in Taiwan, China and the United States. But in reality, he is regarded as a foreigner by the mainstream society in the United States, as a Taiwanese by Chinese people, and as a second generation immigrant from other provinces by Taiwanese people. The identity of multiple outsiders makes his identity a difficult road. In his films and plays, East and West cultures intertwined with each other, the characters' search for cultural identity is fascinating; and this is also the reflection of his own cultural identity. Therefore, analyzing the causes of all kinds of conflicts caused by Lee's works-the cultural conflicts in the East and the West is of great significance in exploring his self-orientation and identity characteristics in the transnational context. This paper is divided into three parts. The introduction mainly introduces Ang Lee's own cultural background, artistic achievements, the status quo of his research at home and abroad, the research basis and theoretical basis of this paper. The first chapter takes Stuart Hall's theory of mobile cultural identity as the theoretical framework, combining with the formation of identity crisis under the global theory, through the analysis of the ideological orientation of the characters in Lee's works, the exploration of ethnic culture and the shaping of cultural identity, and so on. Try to reveal the foreign Chinese on their own cultural identity exploration. The second chapter analyzes the process from awakening of identity consciousness to exploring the cultural identity of the characters in Lee's works, and deeply analyzes the multiple conflicts between the two cultures from the surface material to the deep consciousness. Based on Edward Hall's theory of high and low context, By exploring the process of pursuing the Chinese traditional culture in Lee's works and the psychological entanglement in the dialogue display of the characters in the script, the author tries to sort out Lee's unconsciously exposed to this culture under the immersion of the high-context oriental culture. And reveal its identity to the oriental culture. The third chapter introduces the image of Chinese Americans as marginal Americans in Lee's play, and their yearning for family. This paper analyzes how the characters in Lee's script seek their own cultural identity through cultural conflict and collision in a society with white people as the mainstream group in the process of deconstruction and reconstruction of "home". While respecting the traditional oriental mother culture, we should absorb the new western culture to reshape the cultural identity and realize the coexistence of the eastern and western cultures.
【学位授予单位】：辽宁大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905;I207.3
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1 沈姗姗;李安作品中所体现的身份意识及文化身份探讨[D];辽宁大学;2014年
本文编号：2445031
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