本世纪奥斯卡最佳影片主题特征研究
发布时间：2019-03-22 05:56
【摘要】：21世纪以来的奥斯卡最佳影片的主题相较之前既有继承，又有发展。“继承”表现在——在主题上坚持讨论人类情感中的共通性话题，如对“爱”和“善”的讴歌、对“斗争精神”的颂扬、对“梦想”的追逐。“发展”表现在——21世纪以来的最佳影片呈现出了之前没有的新特征。反映社会现实类的影片中正义战胜邪恶的模式被颠覆，善恶的界限开始消解；以政治敏感话题为题材的影片开始从“人性”层面进行分析并提出解决方法。 奥斯卡最佳影片有两种表现主题的方式：一是通过对真善美等人类共有情感的描绘得到观众的认可和共鸣，从而渗透美国个人主义价值观；二是表面上吸收多元文化，，通过表现被设计过的民族文化打开海外市场，实际上是在多元文化的包装下传达美国文化价值。这两种方式使得影片的主题内涵中都显示出了美国的文化价值，客观上呈现出了带有文化霸权意识的特征。 由奥斯卡最佳影片主题特征观照中国送评影片发现，在主题方面，中国送评影片不能获奖原因主要在两个方面：一是历届送评影片本身没有好故事、缺乏人文关怀；二是奥斯卡最佳影片奖的评选委员在挑选影片时受自身潜意识的影响，会倾向于投票给主题上表现美国文化价值的影片。所以中国送评影片应该在主题方面加深创作，同时我们要正确看待奥斯卡奖。 以奥斯卡最佳影片评选标准来创作电影会有以丧失部分民族文化为代价的风险，但是为了保护民族文化不受全球化的影响而远离奥斯卡，这种消极抵抗方式反而会使我们丧失主动塑造民族形象的机会。因此单纯批判美国的文化霸权行为并不能帮助中国电影的健康发展，我们应该主动走上国际舞台，引导世界正确地认识中国。
[Abstract]:The themes of Oscar-winning best films since the 21st century have been inherited and developed as compared with previous ones. Inheritance is manifested in the discussion of common topics in human emotions, such as the eulogizing of "love" and "good", the praise of "struggle spirit", and the pursuit of "dream". Development-the best film since the 21st century presents new features that have not been seen before. In the films which reflect the social reality, the mode of justice over evil is subverted, and the boundaries of good and evil begin to be dispelled, and the films with sensitive topics of politics begin to analyze from the level of "human nature" and put forward solutions. There are two ways to express the theme of Oscar Best Picture: one is to penetrate American individualistic values by depicting common human emotions such as truth, goodness and beauty, which are recognized and resonated by the audience. Second, absorbing multiculturalism on the surface, opening up the overseas market through the expression of the designed national culture, in fact, conveying the value of American culture under the packaging of multiculturalism. These two ways make the theme connotation of the film show the cultural value of the United States and objectively show the characteristics of the cultural hegemony consciousness. According to the theme characteristics of the best picture in China, it is found that in the theme aspect, the reasons why the Chinese film can't win the prize are mainly in two aspects: one is that there are no good stories and no humanistic care in the film itself; The second is that the members of the Academy Award for Best Picture are influenced by their subconscious mind and tend to vote for films with American cultural values on the subject. Therefore, China should deepen the theme of the film, and we should look at the Academy Award correctly. Making a film based on an Oscar for best picture can involve the risk of losing some of the national culture, but to protect it from the effects of globalization, stay away from the Oscars. This kind of negative resistance will deprive us of the opportunity to take the initiative to shape the national image. Therefore, simply criticizing the cultural hegemony of the United States can not help the healthy development of Chinese films. We should take the initiative to step on the international stage and guide the world to understand China correctly.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
本文编号：2445305
[Abstract]:The themes of Oscar-winning best films since the 21st century have been inherited and developed as compared with previous ones. Inheritance is manifested in the discussion of common topics in human emotions, such as the eulogizing of "love" and "good", the praise of "struggle spirit", and the pursuit of "dream". Development-the best film since the 21st century presents new features that have not been seen before. In the films which reflect the social reality, the mode of justice over evil is subverted, and the boundaries of good and evil begin to be dispelled, and the films with sensitive topics of politics begin to analyze from the level of "human nature" and put forward solutions. There are two ways to express the theme of Oscar Best Picture: one is to penetrate American individualistic values by depicting common human emotions such as truth, goodness and beauty, which are recognized and resonated by the audience. Second, absorbing multiculturalism on the surface, opening up the overseas market through the expression of the designed national culture, in fact, conveying the value of American culture under the packaging of multiculturalism. These two ways make the theme connotation of the film show the cultural value of the United States and objectively show the characteristics of the cultural hegemony consciousness. According to the theme characteristics of the best picture in China, it is found that in the theme aspect, the reasons why the Chinese film can't win the prize are mainly in two aspects: one is that there are no good stories and no humanistic care in the film itself; The second is that the members of the Academy Award for Best Picture are influenced by their subconscious mind and tend to vote for films with American cultural values on the subject. Therefore, China should deepen the theme of the film, and we should look at the Academy Award correctly. Making a film based on an Oscar for best picture can involve the risk of losing some of the national culture, but to protect it from the effects of globalization, stay away from the Oscars. This kind of negative resistance will deprive us of the opportunity to take the initiative to shape the national image. Therefore, simply criticizing the cultural hegemony of the United States can not help the healthy development of Chinese films. We should take the initiative to step on the international stage and guide the world to understand China correctly.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
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