“恨”文化与当代韩国电影
发布时间：2019-05-07 00:23
【摘要】：对本课题的研究主要通过理论分析来进行，论文将参考国内外相关研究成果，从“恨”文化的概念、内涵、社会历史起源以及在电影作品中的体现，对韩国电影美学及产业的现象、规律和内涵，“恨”文化下的民族受众心理，，对朝鲜民族“恨”文化的反思以及对当代韩国电影发展中存在的若干问题之反思等逐步展开论述。本文共分为四部分，首先深入解析朝鲜民族独特的“恨”文化的本质与内涵及其形成机制。首先，我们要明确什么是“恨”文化，而后还要明确朝鲜民族“恨”文化的历史来源。接下来是本文的一大核心组成部分，即将“恨”文化与韩国电影美学的结合。此部分以“恨”文化在韩国四大主流类型电影（现实主义题材、武侠电影、战争电影、爱情电影）中的表现为主线，其中包括对视听语言、人物心理刻画、叙事架构与传达社会价值观等方面的探讨。随后将试图解析“恨”文化下的韩国受众心理，这部分与传播学中受众心理研究相结合，特别值得注意的是，我们通过这部分的分析将会更加深入地了解韩国最普通民众的审美观、意识心理及价值观念。最后将对朝鲜民族的“恨”文化以及韩国电影产业的发展进行深刻反思，将落脚点确定为对“恨”文化的辩证扬弃，以弘扬正能量与主流价值观，并试图通过对韩国电影产业发展中的若干问题分析，知道我国的电影产业借鉴相关经验，汲取相应教训。
[Abstract]:The research on this subject is mainly carried out through the theoretical analysis. The thesis will refer to the relevant research results at home and abroad, from the concept, connotation, social and historical origin of "hate" culture, and the embodiment in the film works. This paper discusses the phenomenon, law and connotation of Korean film aesthetics and industry, the psychology of national audience under "hate" culture, the reflection on Korean "hate" culture and the reflection on some problems existing in the development of contemporary Korean film. This paper is divided into four parts. Firstly, it deeply analyzes the essence, connotation and formation mechanism of Korea's unique "hate" culture. First, we should clarify what "hate" culture is, and then define the historical origin of Korean "hate" culture. The following is a core component of this paper, that is, the combination of hate culture and Korean film aesthetics. This part takes the expression of "hate" culture in the four main types of Korean films (realistic theme, martial arts film, war film, love film) as the main line, including the audio-visual language, the psychological portrayal of characters, Narrative structure and communication of social values and other aspects of discussion. It will then try to analyze the Korean audience psychology under the "hate" culture, which is combined with the study of audience psychology in communication studies, and it is particularly noteworthy that: Through this part of the analysis will be more in-depth understanding of the most common people in South Korea's aesthetic, conscious psychology and values. Finally, the "hate" culture of the Korean nation and the development of the Korean film industry will be deeply reconsidered, and the foothold will be determined as the dialectical sublation of the "hate" culture, in order to carry forward the positive energy and mainstream values. Through the analysis of some problems in the development of Korean film industry, we know that China's film industry can learn from the relevant experience and draw some corresponding lessons.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
本文编号：2470614
[Abstract]:The research on this subject is mainly carried out through the theoretical analysis. The thesis will refer to the relevant research results at home and abroad, from the concept, connotation, social and historical origin of "hate" culture, and the embodiment in the film works. This paper discusses the phenomenon, law and connotation of Korean film aesthetics and industry, the psychology of national audience under "hate" culture, the reflection on Korean "hate" culture and the reflection on some problems existing in the development of contemporary Korean film. This paper is divided into four parts. Firstly, it deeply analyzes the essence, connotation and formation mechanism of Korea's unique "hate" culture. First, we should clarify what "hate" culture is, and then define the historical origin of Korean "hate" culture. The following is a core component of this paper, that is, the combination of hate culture and Korean film aesthetics. This part takes the expression of "hate" culture in the four main types of Korean films (realistic theme, martial arts film, war film, love film) as the main line, including the audio-visual language, the psychological portrayal of characters, Narrative structure and communication of social values and other aspects of discussion. It will then try to analyze the Korean audience psychology under the "hate" culture, which is combined with the study of audience psychology in communication studies, and it is particularly noteworthy that: Through this part of the analysis will be more in-depth understanding of the most common people in South Korea's aesthetic, conscious psychology and values. Finally, the "hate" culture of the Korean nation and the development of the Korean film industry will be deeply reconsidered, and the foothold will be determined as the dialectical sublation of the "hate" culture, in order to carry forward the positive energy and mainstream values. Through the analysis of some problems in the development of Korean film industry, we know that China's film industry can learn from the relevant experience and draw some corresponding lessons.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
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本文编号：2470614
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